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[古典] [DSD] []基督教格洛伦 - 巴赫内部 - 2016年(古典,钢琴)

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发表于 2022-3-13 14:33:27 | 显示全部楼层 |阅读模式
BACH – Inside Polyphony
Christian Grøvlen
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Classical, Piano
Издатель (лейбл): 2L the Nordic Sound : 2L-139
Продолжительность: 01:17:46
Наличие сканов в содержимом раздачи: Буклет PDF


Треклист:
01 - Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia (6:55)
02 - Chromatic Fantasia and Fugue in D minor, BWV 903: Fugue (5:13)
03 - Sinfonia No. 1 in C major, BWV 787 (1:03)
04 - Sinfonia No. 2 in C minor, BWV 788 (2:22)
05 - Sinfonia No. 3 in D major, BWV 789 (1:15)
06 - Sinfonia No. 4 in D minor, BWV 790 (2:20)
07 - Sinfonia No. 5 in E-flat major, BWV 791 (1:49)
08 - Sinfonia No. 6 in E major, BWV 792 (0:56)
09 - Sinfonia No. 7 in E minor, BWV 793 (2:34)
10 - Sinfonia No. 8 in F major, BWV 794 (1:11)
11 - Sinfonia No. 9 in F minor, BWV 795 (5:11)
12 - Sinfonia No. 10 in G major, BWV 796 (1:08)
13 - Sinfonia No. 11 in G minor, BWV 797 (2:06)
14 - Sinfonia No. 12 in A major, BWV 798 (1:40)
15 - Sinfonia No. 13 in A minor, BWV 799 (2:03)
16 - Sinfonia No. 14 in B-flat major, BWV 800 (1:24)
17 - Sinfonia No. 15 in B minor, BWV 801 (1:22)
18 - French Suite No. 3 in B minor, BWV 814: I. Allemande (3:30)
19 - French Suite No. 3 in B minor, BWV 814: II. Courante (2:00)
20 - French Suite No. 3 in B minor, BWV 814: III. Sarabande (3:25)
21 - French Suite No. 3 in B minor, BWV 814: IV. Anglaise Gavotte (1:27)
22 - French Suite No. 3 in B minor, BWV 814: V. Menuet and Trio (3:22)
23 - French Suite No. 3 in B minor, BWV 814: VI. Gigue (2:16)
24 - Partita No. 5 in G major, BWV 829: I. Praeambulum (2:17)
25 - Partita No. 5 in G major, BWV 829: II. Allemande (5:04)
26 - Partita No. 5 in G major, BWV 829: III. Corrente (1:49)
27 - Partita No. 5 in G major, BWV 829: IV. Sarabande (4:15)
28 - Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto (2:03)
29 - Partita No. 5 in G major, BWV 829: VI. Passepied (1:49)
30 - Partita No. 5 in G major, BWV 829: VII. Gigue (3:56)


Контейнер: DFF (*.dsf)
Тип рипа: tracks
Разрядность: 256 (11,2 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0


Official DR value: DR12

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2021-11-16 08:19:40
--------------------------------------------------------------------------------
Analyzed: Christian Grøvlen / BACH - Inside Polyphony
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -6.28 dB   -23.81 dB      6:55 01-Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia
DR13      -6.21 dB   -22.60 dB      5:13 02-Chromatic Fantasia and Fugue in D minor, BWV 903: Fugue
DR12      -8.83 dB   -26.03 dB      1:03 03-Sinfonia No. 1 in C major, BWV 787
DR12     -11.71 dB   -28.20 dB      2:22 04-Sinfonia No. 2 in C minor, BWV 788
DR13     -11.83 dB   -27.82 dB      1:15 05-Sinfonia No. 3 in D major, BWV 789
DR12     -12.72 dB   -31.38 dB      2:20 06-Sinfonia No. 4 in D minor, BWV 790
DR12     -16.96 dB   -33.92 dB      1:49 07-Sinfonia No. 5 in E-flat major, BWV 791
DR11     -12.19 dB   -27.53 dB      0:56 08-Sinfonia No. 6 in E major, BWV 792
DR12     -10.87 dB   -30.87 dB      2:34 09-Sinfonia No. 7 in E minor, BWV 793
DR11     -12.20 dB   -27.67 dB      1:11 10-Sinfonia No. 8 in F major, BWV 794
DR13     -18.18 dB   -35.47 dB      5:11 11-Sinfonia No. 9 in F minor, BWV 795
DR11     -14.33 dB   -28.51 dB      1:08 12-Sinfonia No. 10 in G major, BWV 796
DR12     -12.87 dB   -31.27 dB      2:06 13-Sinfonia No. 11 in G minor, BWV 797
DR11     -11.13 dB   -26.23 dB      1:40 14-Sinfonia No. 12 in A major, BWV 798
DR11     -16.66 dB   -31.94 dB      2:03 15-Sinfonia No. 13 in A minor, BWV 799
DR10     -11.64 dB   -26.65 dB      1:24 16-Sinfonia No. 14 in B-flat major, BWV 800
DR11      -8.55 dB   -24.30 dB      1:22 17-Sinfonia No. 15 in B minor, BWV 801
DR12     -14.16 dB   -29.52 dB      3:30 18-French Suite No. 3 in B minor, BWV 814: I. Allemande
DR11      -7.09 dB   -21.52 dB      2:00 19-French Suite No. 3 in B minor, BWV 814: II. Courante
DR11     -13.93 dB   -30.22 dB      3:25 20-French Suite No. 3 in B minor, BWV 814: III. Sarabande
DR11      -7.55 dB   -24.31 dB      1:27 21-French Suite No. 3 in B minor, BWV 814: IV. Anglaise Gavotte
DR11     -13.08 dB   -28.59 dB      3:22 22-French Suite No. 3 in B minor, BWV 814: V. Menuet and Trio
DR12      -9.70 dB   -25.20 dB      2:16 23-French Suite No. 3 in B minor, BWV 814: VI. Gigue
DR12      -6.99 dB   -25.61 dB      2:17 24-Partita No. 5 in G major, BWV 829: I. Praeambulum
DR12     -11.99 dB   -29.28 dB      5:04 25-Partita No. 5 in G major, BWV 829: II. Allemande
DR12     -11.16 dB   -27.38 dB      1:49 26-Partita No. 5 in G major, BWV 829: III. Corrente
DR15     -12.28 dB   -32.36 dB      4:15 27-Partita No. 5 in G major, BWV 829: IV. Sarabande
DR11     -16.04 dB   -31.57 dB      2:03 28-Partita No. 5 in G major, BWV 829: V. Tempo di Minuetto
DR12      -8.88 dB   -24.95 dB      1:49 29-Partita No. 5 in G major, BWV 829: VI. Passepied
DR12      -7.03 dB   -22.85 dB      3:56 30-Partita No. 5 in G major, BWV 829: VII. Gigue
--------------------------------------------------------------------------------
Number of tracks:  30
Official DR value: DR12
Samplerate:        11289600 Hz / PCM Samplerate: 352800 Hz
Channels:          2
Bits per sample:   24
Bitrate:           22579 kbps
Codec:             DSD256
================================================================================



Доп. информация:
Recorded in Sofienberg Church, Norway
November 2016 by Lindberg Lyd AS
Исполнитель: Christian Grøvlen - piano
Об альбоме (сборнике)
In this project “Bach – Inside Polyphony” Christian Grøvlen approach the composers rich and moving world from the inside, not only spiritually, but also in pure sound. He set out to color each voice intimately and through the recording process to come as close to the polyphony as possible. With this work he has opened new doors towards the communicative power of the music itself, the understanding of his own piano playing and aspects of his artistry and personality. All in order to present this magnificent music as clearly and honestly as possible for the listener to take part in.
“This project has taught me many things – most importantly, to listen. The smallest detail becomes amplified through the microphones. Recording Bach has brought me a new understanding of my playing, of the music and of the pianistic realm. It was not so much a feeling of reaching a goal, as of being given a brand-new starting point, and a greater horizon. Bach is generous, perhaps more so than most composers. Everything is there, each note carries a specific meaning within a complete whole – all we have to do is play, and listen. To do that, to play and to listen, is the very essence of our art and the most difficult thing to achieve. For me, working on this felt like a return and a departure at the same time – a complete circle, as if I were finally saying what I had always thought. I am very grateful for the experience, and I hope the result can bring joy to others as well.”
– Christian Grøvlen, piano
Press reviews:
Audio Review
On Bach “Inside Polyphony”, we get a superlative recording from 2L with pianist Christian Grovlen. The album is available to download in state-of-the-art two and five channel DXD and DSD formats.
On the album, we find a refined reading that offers ample piano expression, details and rhythms, with a timbropianistico of excellence by a recording that even in two-channel proves a reference for the recording of this instrument. Christian Grovlen is the interpreter and the program contains Chromatic Fantasy and Fugue, some “Symphonies”, the French Suite n. 3 and Paritait n. 5.
It is a small compendium of Bach’s keyboard production. After careful listening, the album’s surprise is the naturalness of the recording that with “soft” and “captivating” tones, offers the mosaic texture and the most elaborate counterpoint without veils. A transparent window on the partiture that protects us from extravagance. Good listening indeed.
Marco Cicogna
Klassiskmusikk 5 out of 5
2L makes bold claims for this recording. They suggest that we can expect something revolutionary, perhaps as innovative as Glenn Gould’s approach was to Bach in his day. I can have to confess that I am not entirely persuaded that Christian Grøvlen lives up to the claims of their intro. But taken on its own terms, just as music, there’s no arguing that there’s some wonderful playing here.
Grøvlen has a warm, rounded tone, helped by 2L’s luminous recorded sound. The clarity of the counterpoint is indeed remarkable. Grøvlen plays with immense calm and poise in the slower movements and with a dancing lightness in the more jovial ones. It’s the kind of musicianship you will reach for when you come in from a hellish day at the office. It will iron the stress out of your day.
Martin Anderson
Audiophile Sound Italy
When it comes to Bach’s keyboard works transscribed for piano, one is almost always faced with two possible types of readings. One that intends to ‘clear the piano’ as an ideal instrument to perform the music of Bach and the other that tries to mediate the piano as the last link in a chain that originates from the harpsichord and clavichord and which inherits from these latter two the constructive and emotional tensions of the expressed sound.
The approach chosen by 27-year-old Norwegian pianist Christian Grovlen to record this work dedicated to ‘Polyphony Bach’ is the first type of reading. His piano performance gives way to sonorities capable of enhancing the phrasing and the ‘polyphonic encounter’ present in the works performed here (the Chromatic Fantasy and Fugue in D minor, the Symphonies, the French Suite No. 3 and the Partita No. 5).
The result is really interesting both in conception and in its realization. It puts Christian Grovlen as an interpreter par excellence among those who belong to the latest generations of pianists.”
Andrea Bedetti
Recorded in DXD 24bit/352.8kHz
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