Hania Rani / Esja
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: modern classical, neoclassical, minimalism, piano solo
Издатель (лейбл): Gondwana Records
Продолжительность: 00:45:08
Наличие сканов в содержимом раздачи: Да (сканы)
Источник (релизер): qobuz
Треклист:
01. Eden 04:55
02. Sun 05:22
03. Hawaii Oslo 04:15
04. Pour Trois 03:14
05. Biesy 04:15
06. Luka 05:06
07. Glass 04:30
08. Today It Came 02:33
09. Esja 04:21
10. Now, Run 06:31
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Доп. информация: http://haniarani.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-04-12 11:30:10
--------------------------------------------------------------------------------
Analyzed: Hania Rani / Esja
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -1.18 dB -14.44 dB 4:55 01-Eden
DR10 -2.89 dB -16.76 dB 5:23 02-Sun
DR10 -1.73 dB -14.81 dB 4:16 03-Hawaii Oslo
DR10 -4.19 dB -17.84 dB 3:14 04-Pour Trois
DR10 -1.16 dB -15.02 dB 4:16 05-Biesy
DR11 -4.31 dB -20.74 dB 5:07 06-Luka
DR9 -7.48 dB -18.49 dB 4:31 07-Glass
DR13 -3.99 dB -21.49 dB 2:34 08-Today It Came
DR11 -2.59 dB -16.54 dB 4:21 09-Esja
DR10 -1.89 dB -14.07 dB 6:32 10-Now, Run
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1152 kbps
Codec: FLAC
================================================================================
Об исполнителе (рус.) | About Artist (ru)
Хания РаниХания Рани (Hania Rani; урождённая Ханна Ранижевска; род. 5 сентября 1990 года в Гданьске, Польша) – польская пианистка и композитор, получившая признание благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений своих коллег, в которых сочетаются классическое звучание с трогательными текстами.
Хания Рани пишет для струнных, фортепиано, голоса и электроники, сотрудничала с такими музыкантами, как Кристиан Лёффлер (Christian Löffler), Хиор Хроник (Hior Chronik), Викингур Олафссон (Víkingur Ólafsson), группой Portico Quartet. В ее активе музыка для театральной постановки режиссера Михала Здуника (Michał Zdunik), альбом «Biała Flagс» (2015) с виолончелисткой Добравой Чочер (Dobrawa Czocher) и альбом Mi (2018) дуэта Tęskno, который был удостоен художественной награды города Торунь им. Гжегожа Цеховского. География выступлений пианистки охватывает самые престижные концертные площадки Европы, от Национальной филармонии в Варшаве и Funkhaus в Берлине до Roundhouse в Лондоне, где она дебютировала на десятилетии лебйла Gondwana осенью 2018 года, и таких фестивалей, как Open’er, Scope Festival и Eurosonic.
Ханна Ранижевска (Hania Raniszewska), взявшая творческий псевдоним Хания Рани – польская пианистка и композитор, выпускница Музыкального университета им. Фредерика Шопена, которая живет на два города, путешествуя между Варшавой и Берлином. Девушка выросла в семье виолончелистки, воспитывала свои музыкальные вкусы на записях Pink Floyd, The Beatles и Генделя. В юности закончила музыкальную школу и серьезно увлеклась игрой на фортепиано, во многом из-за желания по-своему интерпретировать звучание и гармонические возможности инструмента во всей их полноте. Первое признание у себя на родине Ханна получила благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений земляка Гжегожа Цеховского. Кроме того, Хания Рани – участница дуэта с виолончелисткой Добравой Чочер (Dobrawa Czocher) и дуэта Tęskno с вокалисткой Джоанной Лонгич (Joanna Longić), сочетающем в своих произведениях классическое звучание с трогательными текстами.
На своем дебютном сольном альбоме Esja, вышедшем на Gondwana Records в 2019 году, Хания Рани стремится передать ощущение безграничного пространства и времени, языком музыки выразить влияние Берлина, исландских пейзажей и гор Бещады в юго-восточной Польше, к которым пианистка с детства питает особую любовь. Материал был записан в квартире Ханны в Варшаве, ставшей для артистки своеобразной звуковой лабораторией, и в студии ее друга-звукорежиссера Бергура Ториссона (Bergur Þórisson) в Рейкьявике.
Продолжением неоклассического путешествия стал альбом Home, вышедший на Gondwana Records в 2020 году. «Мне кажется, Home, – говорит Хания Рани, – это вторая часть той же книги, начало которой было положено в Esja, музыкальной прелюдии к настоящему сюжету. Я чувствую, что Home – это история с концом, поэтому в следующей книге может быть рассказано совершенно другое. Я постоянно ищу новые способы самовыражения. Мне любопытно, куда Home приведет меня и мою музыку».
Как и все творческие личности, Хания Рани постоянно развивается в музыкальном плане и ищет новые возможности для воплощения своих идей и заветных мечт, в числе которых премия «Оскар» за музыку к фильму. https://www.last.fm/ru/music/hania+rani/+wiki
Об исполнителе (англ.) | About Artist (en)
Hania RaniHania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. She has performed at some of the most prestigious venues in Europe – from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London and at festivals such as Open’er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.
Her debut album ‘Esja’, a beguiling collection of solo piano pieces on Gondwana Records was released to international acclaim on April 5th 2019, including nominations in 5 categories in the Polish music industry’s very own Grammys, the Fryderyki, winning the Discovery of the Year 2019 in the Empik chain’s Bestseller Awards, plus the prestigious Sanki award for the most interesting new face of Polish music as chosen by Polish journalists. Rani also composed the music for her first full length movie “I Never Cry” directed by Piotr Domalewski, and for the play “Nora” directed by Michał Zdunik. Her song “Glass” was used as a soundtrack of a short movie by Małgorzata Szumowska for Miu Miu’s movie cycle “Women’s Tales”.
Her follow-up album ‘Home’, will be released digitally on May 29th and finds Rani adding vocals and subtle electronics to her music as well as being joined on some tracks by bassist Ziemowit Klimek and drummer Wojtek Warmijak. The album reunites her with recording engineers Piotr Wieczorek and Ignacy Gruszecki (Monochrom Studio), and the tracks were again mixed by Gijs van Klooster in his studio in Amsterdam and by Piotr Wieczorek in Warsaw (Ombelico and Come Back Home). Home was mastered by Zino Mikorey in Berlin (known for his work on albums by artists such as Nils Frahm and Olafur Arnalds).
“One can be lost but can find home in his inner part – which can mean many things – soul, imagination, mind, intuition, passion. I strongly believe that when being in uncertain times and living an unstable life we can still reach peace with ourselves and be able to find ‘home’ anywhere’ This is what I would like to express with my music – one can travel the whole world but not see anything. It is not where we are going but how much we are able to see and hear things happening around us”. — Hania Rani
Rani grew up in Gdansk with her parents (a doctor and architect) and surrounded by music and films. Initially inspired to study classical music, she was introduced to jazz and electronics at music school, widening her interests and as she puts it, “mixing Chopin & Schostakovitch with Dave Brubeck and Moderat”. Other inspirations include composers such as Max Richter, Esbjorn Svensson, Miles Davis, Nils Frahm, Murcof, Portico Quartet, Radiohead and even The Beatles. “It’s what connects all these artists that inspires me, their special approach to music and sound. For me they have big hearts and huge minds.”
But Rani’s inspirations aren’t just musical, she has drawn inspiration from places she has lived and visited. “It’s about the feeling, the general atmosphere, sometimes about memories. Moving to Berlin (where you have the freedom to be yourself), exploring Iceland and the wild mountains in Bieszczady, South-East Poland, all changed me as a person, so I guess, also affected me as an artist.”And inspiration comes too from visual arts. Her father was an architect and the arts remain hugely important to Rani. “I find that what really inspires my music is not the music, but all the other things. I take inspiration for the form of my own pieces from architecture and design. Then I translate this “foreign” language, to my own music and the outcome is way more interesting for me than just getting it from the music. Indeed, for Rani it is often an image or a colour that comes first, what she calls a sound image. “I can really feel the colours, the mood – just like with photography. If the image is strong enough, sounds come along very quickly, trying to build the right image stuck in my head. The music fills the space, the music brings the new worlds, new spaces. http://haniarani.com/about/
Об альбоме (англ.) | About Album (en)
Info for 'Esja'
“I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres.”
Hania Raniis a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group tęskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open’er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.
Esja is her debut solo album and for Rani it is her first, real, personal statement as an artist. “No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am”.
Recorded at Rani’s apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson’sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.
Originally, Rani hadn’t planned to release a solo piano album at all. “I would like to be considered first of all as a composer of music - so not being limited to any instrument or voice or whatever. The solo album came when I went to Reykjavik, where I wrote some new songs instantly while in the studio, so they were almost improvised compositions. It was then that I decided to release an unadorned solo piano album - telling a lot about my musical roots, which are definitely in this instrument. But it’s also just a small prelude of all the music that I want to share in the future”.
Rani grew up in Gdansk with her parents (a doctor and architect) and surrounded by music and films. Initially inspired to study classical music, she was introduced to jazz and electronics at music school, widening her interests and as she puts it, “mixing Chopin & Schostakovitch with Dave Brubeck and Moderat”.Other inspirations include composers such as Max Richter, Esbjorn Svensson, Miles Davis, Nils Frahm, Murcof, Portico Quartet, Radiohead and even The Beatles.“It’s what connects all these artists that inspires me, their special approach to music and sound. For me they have big hearts and huge minds.”
But Rani’s inspirations aren’t just musical, she has drawn inspiration from places she has lived and visited. “It’s about the feeling, the general atmosphere, sometimes about memories. Moving to Berlin (where you have the freedom to be yourself), exploring Iceland and the wild mountains in Bieszczady, South-East Poland, all changed me as a person, so I guess, also affected me as an artist.” And inspiration comes too from visual arts. Her father was an architect and the arts remain hugely important to Rani. “Ifind that what really inspires my music is not the music, but all the other things. I take inspiration for the form of my own pieces from architecture and design. Then I translate this "foreign" language, to my own music and the outcome is way more interesting for me than just getting it from the music.
Indeed, for Rani it is often an image or a colour that comes first, what she calls a sound image. “I can really feel the colours, the mood - just like with photography. If the image is strong enough, sounds come along very quickly, trying to build the right image stuck in my head. The music fills the space, the music brings the new worlds, new spaces. One such inspiration was the collage artist Anthony Zinonos whose artwork adorns the cover of Esja and whose work Hania first found when she was working on the music that would become this album.“I really like the mix of colours and minimalistic style which perfectly describe me as a person and as an artist. I am really in love with his sense of humour and rare ability to match pure shapes with energetic colours and mood”
Beautifully sculpted, Esja opens with the gorgeous Eden,which features a chorus full of warmth and grace. Sun is inspired by the sensation of the warmth of the sun, but also by the feeling of being small in the face of the universe. Hawaii Oslotakes its name from the film of the same name, but is inspired by the contrast of mood and location, always changing as you listen. Biesyis named for the Bieszczady Mountains and a memory of driving in Bieszczady'sforests and twisted roads with friends. The wistful, charming, Luka, is a love song written for someone who affected Rani’s music profoundly. The shimmering Glassis named for its fragility, but also for its many colours, like glass caught in the light. Today it Cameis the only song from the album recorded on a grand piano (belonging to Olafur Arnalds in his studio in Reykjavik). Inspired by the piano, Rani wrote a simple, beautiful tune, and when asked what the song was, she replied “it came today" and that became the title of a memorable piece. Finally, Esjais the named by the mountain in south-west Iceland (which can be seen from almost everywhere in Reykjavik) and because of constant changes to the weather there, it always looks different. It therefore became the perfect title for one of her favourite pieces, one that sounds different every time she performs it. And in turn it became the perfect title for her debut album. A powerful, entrancing statement that offers new delights and new insights on every listen and announces Hani Rani as a major new artist.
released April 5, 2019 https://haniarani.bandcamp.com/album/esja
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发表于 2022-3-13 14:33:28
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