Hania Rani / Music for Film and Theatre
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2021
Жанр: modern classical, neoclassical, minimalism, ambient
Издатель (лейбл): Gondwana Records
Продолжительность: 00:38:29
Наличие сканов в содержимом раздачи: Да (сканы)
Источник (релизер): qobuz
Треклист:
01. Prayer (3:32)
02. In Between (3:10)
03. Journey (4:27)
04. Trip to Ireland (1:52)
05. The Beach (2:57)
06. The Locker Room (2:27)
07. At the Hospital (1:04)
08. Waiting (1:40)
09. Wildfires (5:16)
10. Ghosts (3:03)
11. Soleil Pale (3:53)
12. Nora (5:16)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Другие альбомы Хании Рани в хай-резе: [TR24][OF] Hania Rani - Esja - 2019 (modern classical, neoclassical, minimalism, piano solo) [TR24][OF] Hania Rani - Home - 2020 (Modern Classical, Ambient, Electronic)
Доп. информация: http://haniarani.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-09-08 13:35:57
--------------------------------------------------------------------------------
Analyzed: Hania Rani / Music for Film and Theatre
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.73 dB -14.00 dB 3:32 01-Prayer (from xAbo: Father Bonieckif)
DR15 -0.69 dB -21.84 dB 3:10 02-In Between (from xAbo: Father Boniecki)
DR9 -0.67 dB -13.85 dB 4:27 03-Journey (from xAbo: Father Boniecki)
DR12 -4.16 dB -21.25 dB 1:52 04-Trip to Ireland (from I Never Cry)
DR12 -0.63 dB -17.33 dB 2:57 05-The Beach (from I Never Cry)
DR14 -3.40 dB -24.17 dB 2:27 06-The Locker Room (from I Never Cry)
DR10 -10.30 dB -25.63 dB 1:04 07-At the Hospital (from I Never Cry)
DR14 -0.73 dB -19.72 dB 1:40 08-Waiting (from At Home)
DR10 -0.62 dB -14.44 dB 5:16 09-Wildfires (from Truth in Fire)
DR10 -0.65 dB -15.53 dB 3:03 10-Ghosts (from Pradziady)
DR11 -0.68 dB -16.96 dB 3:53 11-Soleil Pâle
DR16 -0.65 dB -22.13 dB 5:16 12-Nora (from Nora)
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Number of tracks: 12
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2686 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
Хания Рани
Хания Рани (Hania Rani; урождённая Ханна Ранижевска; род. 5 сентября 1990 года в Гданьске, Польша) – польская пианистка и композитор, получившая признание благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений своих коллег, в которых сочетаются классическое звучание с трогательными текстами.
Хания Рани пишет для струнных, фортепиано, голоса и электроники, сотрудничала с такими музыкантами, как Кристиан Лёффлер (Christian Löffler), Хиор Хроник (Hior Chronik), Викингур Олафссон (Víkingur Ólafsson), группой Portico Quartet. В ее активе музыка для театральной постановки режиссера Михала Здуника (Michał Zdunik), альбомы Biała flaga (2015) и Inner Symphonies (2021) с виолончелисткой Добравой Чочер (Dobrawa Czocher) и альбом Mi (2018) дуэта Tęskno, который был удостоен художественной награды города Торунь им. Гжегожа Цеховского. География выступлений пианистки охватывает самые престижные концертные площадки Европы, от Национальной филармонии в Варшаве и Funkhaus в Берлине до Roundhouse в Лондоне, где она дебютировала на десятилетии лебйла Gondwana осенью 2018 года, и таких фестивалей, как Open’er, Scope Festival и Eurosonic.
Ханна Ранижевска (Hania Raniszewska), взявшая творческий псевдоним Хания Рани – польская пианистка и композитор, выпускница Музыкального университета им. Фредерика Шопена, которая живет на два города, путешествуя между Варшавой и Берлином. Девушка выросла в семье виолончелистки, воспитывала свои музыкальные вкусы на записях Pink Floyd, The Beatles и Генделя. В юности закончила музыкальную школу и серьезно увлеклась игрой на фортепиано, во многом из-за желания по-своему интерпретировать звучание и гармонические возможности инструмента во всей их полноте. Первое признание у себя на родине Ханна получила благодаря хрупким, нежным пьесам собственного сочинения и изящным аранжировкам произведений земляка Гжегожа Цеховского. Кроме того, Хания Рани – участница дуэта с виолончелисткой Добравой Чочер (Dobrawa Czocher) и дуэта Tęskno с вокалисткой Джоанной Лонгич (Joanna Longić), сочетающем в своих произведениях классическое звучание с трогательными текстами.
На своем дебютном сольном альбоме Esja, вышедшем на Gondwana Records в 2019 году, Хания Рани стремится передать ощущение безграничного пространства и времени, языком музыки выразить влияние Берлина, исландских пейзажей и гор Бещады в юго-восточной Польше, к которым пианистка с детства питает особую любовь. Материал был записан в квартире Ханны в Варшаве, ставшей для артистки своеобразной звуковой лабораторией, и в студии ее друга-звукорежиссера Бергура Ториссона (Bergur Þórisson) в Рейкьявике.
Продолжением неоклассического путешествия стал альбом Home, вышедший на Gondwana Records в 2020 году. «Мне кажется, Home, – говорит Хания Рани, – это вторая часть той же книги, начало которой было положено в Esja, музыкальной прелюдии к настоящему сюжету. Я чувствую, что Home – это история с концом, поэтому в следующей книге может быть рассказано совершенно другое. Я постоянно ищу новые способы самовыражения. Мне любопытно, куда Home приведет меня и мою музыку».
Как и все творческие личности, Хания Рани постоянно развивается в музыкальном плане и ищет новые возможности для воплощения своих идей и заветных мечт, в числе которых премия «Оскар» за музыку к фильму. https://www.last.fm/ru/music/hania+rani/+wiki
Об исполнительнице (англ.) | About Artist (en)
Hania Rani
Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. She has performed at some of the most prestigious venues in Europe – from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London and at festivals such as Open’er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.
Her debut album ‘Esja’, a beguiling collection of solo piano pieces on Gondwana Records was released to international acclaim on April 5th 2019, including nominations in 5 categories in the Polish music industry’s very own Grammys, the Fryderyki, winning the Discovery of the Year 2019 in the Empik chain’s Bestseller Awards, plus the prestigious Sanki award for the most interesting new face of Polish music as chosen by Polish journalists. Rani also composed the music for her first full length movie “I Never Cry” directed by Piotr Domalewski, and for the play “Nora” directed by Michał Zdunik. Her song “Glass” was used as a soundtrack of a short movie by Małgorzata Szumowska for Miu Miu’s movie cycle “Women’s Tales”.
Her follow-up album ‘Home’, will be released digitally on May 29th and finds Rani adding vocals and subtle electronics to her music as well as being joined on some tracks by bassist Ziemowit Klimek and drummer Wojtek Warmijak. The album reunites her with recording engineers Piotr Wieczorek and Ignacy Gruszecki (Monochrom Studio), and the tracks were again mixed by Gijs van Klooster in his studio in Amsterdam and by Piotr Wieczorek in Warsaw (Ombelico and Come Back Home). Home was mastered by Zino Mikorey in Berlin (known for his work on albums by artists such as Nils Frahm and Olafur Arnalds).
“One can be lost but can find home in his inner part – which can mean many things – soul, imagination, mind, intuition, passion. I strongly believe that when being in uncertain times and living an unstable life we can still reach peace with ourselves and be able to find ‘home’ anywhere’ This is what I would like to express with my music – one can travel the whole world but not see anything. It is not where we are going but how much we are able to see and hear things happening around us”. — Hania Rani
Rani grew up in Gdansk with her parents (a doctor and architect) and surrounded by music and films. Initially inspired to study classical music, she was introduced to jazz and electronics at music school, widening her interests and as she puts it, “mixing Chopin & Schostakovitch with Dave Brubeck and Moderat”. Other inspirations include composers such as Max Richter, Esbjorn Svensson, Miles Davis, Nils Frahm, Murcof, Portico Quartet, Radiohead and even The Beatles. “It’s what connects all these artists that inspires me, their special approach to music and sound. For me they have big hearts and huge minds.”
But Rani’s inspirations aren’t just musical, she has drawn inspiration from places she has lived and visited. “It’s about the feeling, the general atmosphere, sometimes about memories. Moving to Berlin (where you have the freedom to be yourself), exploring Iceland and the wild mountains in Bieszczady, South-East Poland, all changed me as a person, so I guess, also affected me as an artist.”And inspiration comes too from visual arts. Her father was an architect and the arts remain hugely important to Rani. “I find that what really inspires my music is not the music, but all the other things. I take inspiration for the form of my own pieces from architecture and design. Then I translate this “foreign” language, to my own music and the outcome is way more interesting for me than just getting it from the music. Indeed, for Rani it is often an image or a colour that comes first, what she calls a sound image. “I can really feel the colours, the mood – just like with photography. If the image is strong enough, sounds come along very quickly, trying to build the right image stuck in my head. The music fills the space, the music brings the new worlds, new spaces. http://haniarani.com/about/
Об альбоме (англ.) | About Album (en)
Info for 'Music for Film and Theatre'
Hania Rani announces ‘Music for Film and Theatre’ a personal selection of recent compositions for film, theatre and other projects.
Writing music for film and theatre has always been a big part of Hania Rani’s musical world. It is also a part of the creative process that can be tantalisingly out of reach for listeners, either the project doesn’t come to fruition or the music simply isn’t available away from the film or play. From early collaborations with friends, to last year’s two scores for full length films (xAbo: Father Boniecki directed by Aleksandra Potoczek and I Never Cry directed by Piotr Domalewski‘) Rani has been involved in many such projects, each representing an important step in her artistic development and life as a composer and artist:
“Composing for motion picture or theatre is for me a very different kind of work than writing for my own projects. Firstly, I need to collaborate with somebody else who sees the world through the lense of their own art and craft. That's why these kinds of encounters can be so exciting - they are a promise of creating something very new, as a result of creative work of so many people from all walks of life. Secondly, I feel that music in film is an invisible character, a missing emotion that creates a special atmosphere and sensation. It doesn't illustrate, it completes the work of art. I think it is an extremely sensitive matter that rejects banal associations and easy solutions. I feel like composing for film works like an exercise for my imagination.”
It is the nature of these collaborations though, that sometimes the composers own preferred compositions don’t make the final cut. This is where Music for Film and Theatre comes in as it allows Rani to present a selection of her own personal favourite pieces composed for film and plays. Pieces that made it to the final cut and pieces that were rejected by the director or the producer. Bringing the music together as an album offers a chance for Rani to share her music with her listeners on her own terms and a chance for her fans to hear a different side of her art.
“I put them in one place, as a collection of precious objects that were kept for years in a drawer. Some of them were composed a couple years ago, some are the result of recent research. I am very happy to finally be able to present them as a separate project."
Rani is of course grateful to all of the directors who have entrusted her to create music for their projects, but she professes especially warm feelings for the pieces composed for her first ‘real’ theatre play, Pradziady, directed by Michał Zdunik. The title comes from ‘Dziady’ a term in Slavic folklore for the spirits of the ancestors and a collection of pre-Christian rites, rituals and customs that were dedicated to them. The essence of these rituals was the ‘communion of the living with the dead’, namely, the establishment of relationships with the souls of the ancestors. “I felt this story needed extremely dark and fragile music, and at the same time a sound that could express the mixture of the two worlds - the living and the dead. I decided to compose part of the soundtrack with a string quartet but including two cellos, viola and only one violin. We recorded in a little house, completely built from wood, mostly from Finnish pine. I always felt this space has a very special, warm and natural acoustics - especially when it is combined with string instruments. The track composed for this theatre play is called Ghosts but actually didn't finally make it to the performance, although I like it so much that I thought it would perfectly fit this compilation”. Other highlights include the enchanting Soleil Pâle written for a collaboration with director Neels Castillon, and improvising dancers Alt Take, the beautiful melancholy of In Between (from the film score for xAbo: Father Boniecki) and the magical bliss of The Beach (from I Never Cry) and together they create a beautiful offering from an artist whose every note is worth hearing, but for whom the journey is just beginning:
“I am very happy to see that many artists consider my music as the right soundtrack for their works, because film music was always a huge inspiration for any of my compositions. I find there a lot of life and real emotions, but also a feeling of freedom. Freedom from my own thinking patterns and prejudices. I also believe strongly in collaboration between people, I always feel this is the way to create something really new, based on a mixture of different ways of thinking, feeling, expressing.”
This then is Hania Rani, Music for Film and Theatre – enjoy! https://haniarani.bandcamp.com/album/music-for-film-and-theatre
Состав | Artists
Hania Rani, piano, voice, key, synth
Cello – Alicja Kozak, Malgorzata Szydłowsa
Viola – Agnieszka Podłucka, Mateusz Wasiucionek
Violin – Karolina Gutowska, Kornelia Grądzka
Double Bass – Maciej Dobrzański
Artwork by Łukasz Pałczyński
Design and layout by Adam Heron
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发表于 2022-3-13 14:33:28
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