Glenn Yarbrough - For Emily, Whenever I May Find Her
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1967/2017
Жанр: Pop, Folk, Easy Listening
Издатель (лейбл): RCA/Legacy
Продолжительность: 34:15
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. For Emily, Whenever I May Find Her (2:47)
02. Golden Under The Sun (3:01)
03. Everybody's Wrong (2:25)
04. Until It's Time For You To Go (2:21)
05. The French Girl (2:59)
06. Tomorrow Is A Long Time (3:37)
07. Gently Here Beside Me (2:31)
08. Worry Is A Rockin' Chair (2:21)
09. Comes And Goes (2:29)
10. Pleasures Of The Harbor (3:39)
11. Crucifixion (6:06)
AllMusic Review by Richie Unterberger
There were numerous obscure attempts, most of them commercially and artistically unsuccessful, by folk revival veterans to move into folk-rock-pop in the last half of the 1960s. For Emily, Whenever I May Find Her is Yarbrough's. Although Yarbrough's usual idea of a contemporary singer/songwriter to cover on record was limited to Rod McKuen, here he tackles many of the giants: Simon & Garfunkel (the title cut), Buffy Sainte-Marie ("Until It's Time for You to Go"), Ian & Sylvia ("The French Girl"), Bob Dylan ("Tomorrow Is a Long Time"), Phil Ochs ("Pleasures of the Harbor" and "Crucifixion"), and, most unexpectedly, Buffalo Springfield (with what must have been one of the very few covers of Stephen Stills' "Everybody's Wrong"). The songs' tepid folk-rock arrangements are dressed up in MOR orchestration by George Tipton and Perry Botkin Jr., and delivered with laconic understatement by Yarbrough. It's limp as a dishrag, not suiting Yarbrough's voice well and not doing justice to the songs, with the clash of orchestration, country-ish folk-rock, and raga-tinged guitar on "Everybody's Wrong" ranking as the LP's oddest venture. If you're looking for interesting trivial connections, though, there are plenty. Tom Mastin, known if at all as the composer of a song on Jefferson Airplane's Surrealistic Pillow album ("How Do You Feel"), wrote the far less renowned folk revival-styled "Golden Under the Sun," which was unfortunately much less memorable than the tune he placed with the Airplane. Michael Brewer (who had briefly played with Mastin in a folk-rock act) and Tom Shipley wrote another of the tracks, "Comes and Goes," though this was also unimpressive. And the record was produced by Rick Jarrard, as it happens the producer of Surrealistic Pillow.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2018-01-25 19:13:37
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Analyzed: Glenn Yarbrough / For Emily, Whenever I May Find Her
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DR Peak RMS Duration Track
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DR10 -0.02 dB -13.60 dB 2:47 01-For Emily, Whenever I May Find Her
DR10 -0.02 dB -13.11 dB 3:01 02-Golden Under The Sun
DR10 -0.02 dB -12.77 dB 2:25 03-Everybody's Wrong
DR10 -0.02 dB -13.40 dB 2:21 04-Until It's Time For You To Go
DR10 -0.02 dB -13.05 dB 2:59 05-The French Girl
DR10 -0.02 dB -12.44 dB 3:37 06-Tomorrow Is A Long Time
DR11 -0.02 dB -12.61 dB 2:31 07-Gently Here Beside Me
DR11 -0.18 dB -13.23 dB 2:21 08-Worry Is A Rockin' Chair
DR11 -0.02 dB -12.93 dB 2:29 09-Comes And Goes
DR11 -0.02 dB -13.31 dB 3:39 10-Pleasures Of The Harbor
DR11 -0.02 dB -15.04 dB 6:06 11-Crucifixion
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Number of tracks: 11
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5139 kbps
Codec: FLAC
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发表于 2022-3-13 14:38:00
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