Lee Konitz Quartet (feat. Kenny Barron) / Jazz Nocturne
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1994/2015
Жанр: Jazz, Post Bop
Издатель (лейбл): Venus Records [VHGD-102]
Продолжительность: 00:50:39
Наличие сканов в содержимом раздачи: Да (сканы)
Треклист:
01. You'd Be So Nice To Come Home To
02. Everything Happen To Me
03. Alone Together
04. Misty
05. Body And Soul
06. My Funny Valentine
07. In A Sentimental Mood
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-11-14 21:58:17
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Анализ: LEE KONITZ QUARTET / Jazz Nocturne
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DR Пики RMS Продолжительность трека
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DR11 -1.86 дБ -15.26 дБ 6:11 01-You'd Be So Nice To Come Home To
DR13 -3.13 дБ -18.13 дБ 7:15 02-Everything Happens To Me
DR11 -1.57 дБ -14.73 дБ 9:12 03-Alone Together
DR12 -2.22 дБ -16.23 дБ 5:46 04-Misty
DR13 -2.25 дБ -17.52 дБ 8:50 05-Body And Soul
DR11 -1.68 дБ -15.24 дБ 7:02 06-My Funny Valentine
DR12 -2.61 дБ -16.77 дБ 6:21 07-In A Sentimental Mood
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Количество треков: 7
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 1
Битрейт: 5645 кбит/с
Кодек: DSD64
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Скриншот спектра частот
Источник (релизер): jazzyman (PS³SACD) http://www.cdjapan.co.jp/product/VHGD-102
Состав
Alto Saxophone – Lee Konitz
Bass – James Genus
Drums – Kenny Washington
Engineer – Pete Beckerman*
Executive-Producer – Tetsuo Hara
Photography – Harrison Hurwitz
Piano – Kenny Barron
Producer – Big Apple Productions, Inc.
Об альбоме (сборнике)
Although never a poll winner, altoist Lee Konitz has had a more productive and consistently stimulating career than most of his contemporaries, never afraid to improvise fairly freely in his relaxed style. For this Evidence CD, Konitz digs into seven standards with an impressive rhythm section (pianist Kenny Barron, bassist James Genus and drummer Kenny Washington) and constantly comes up with interesting ideas and new twists. There are no phony disguises of familiar tunes with new titles on this date; just creative blowing. Konitz uplifts such often-overplayed material as "You'd Be So Nice to Come Home To," "Misty," "Alone Together," "Body and Soul" and "My Funny Valentine" without ever becoming predictable; Kenny Barron is in excellent form, too. This CD is recommended as a strong example of Lee Konitz's playing in the '90s. [Jazz Nocturne was reissued on an import-only CD in 1999.