The Peter Malick Group featuring Norah Jones – New York City (2000)
Жанр: Blues
Носитель: SACD
Год издания: 2000
Издатель: High Notes Records / Koch Records
Номер по каталогу: HN251SACD
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:30:24
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.New York City 05:07
02.Strange Transmissions 04:08
03.Deceptively Yours 04:19
04.All Your Love 04:36
05.Heart of Mine 05:08
06.Things You Don’t Have to Do 03:13
07.New York City (Radio Edit) 03:53
SACD+Back
New York City
New York City is an album by The Peter Malick Group featuring Norah Jones. The album was recorded during August and September 2000, a few weeks before Jones made her own demos for Blue Note Records, and released three years later. Jones sings on all seven tracks, and this album is more bluesy than Jones’ debut album, Come Away with Me. The album reached number fifty-four on the Billboard 200, number one on Top Blues Albums, and number two on Top Independent Albums.
All Music Review
The story goes that, in 2000, while pianist/vocalist Norah Jones was playing regularly at the Living Room in New York’s Lower East Side and well before she earned eight Grammys, she received an invitation to sing some blues with guitarist Peter Malick and his band. Reluctantly, Jones admitted to a paucity of blues-singing experience. Thankfully, Malick was persistent. Listening to the rootsy, organic beauty evidenced on New York City, you’d never know Jones hadn’t ever sung the blues. Inspired by the classic work of artists such as Ray Charles and Billie Holiday, New York City is a kind of singer/songwriter blues album featuring Jones’ particularly haunting vocal style. It’s more mainstream than Come Away With Me, but fans of that album should cotton easily to Jones’ work here. Conceptualized around the post-9/11 title track, most of Malick’s songs are contemporary blues reminiscent of the work of Bonnie Raitt and Eric Clapton. Notably, “Strange Transmissions,” a melancholy and atmospheric profession of a love that just can’t be denied, showcases Jones as mellow blues diva, while “Heart of Mine” finds the pianist’s breathy style perfectly suited to the Bob Dylan nugget. As for leader Malick, he takes the vocal duties on “Things You Don’t Have to Do” and graces most of the tracks with his thoughtful and tempered guitar sound.