Keith Jarrett - Budapest Concert
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: Contemporary Jazz
Издатель (лейбл): ECM Records
Продолжительность: 01:27:43
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Part I (Jarrett) - 14:29
02. Part II (Jarrett) - 6:43
03. Part III (Jarrett) - 7:55
04. Part IV (Jarrett) - 7:12
05. Part V (Jarrett) - 4:53
06. Part VI (Jarrett) - 3:37
07. Part VII (Jarrett) - 5:24
08. Part VIII (Jarrett) - 5:18
09. Part IX (Jarrett) - 2:27
10. Part X (Jarrett) - 8:23
11. Part XI (Jarrett) - 5:29
12. Part XII - Blues (Jarrett) - 3:47
13. It's a Lonesome Old Town (Tobias-Kisco) - 7:37
14. Answer Me, My Love (Winkler-Rauch) - 4:29
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.6.1 / Dynamic Range Meter 1.1.1
log date: 2020-11-01 00:28:03
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Analyzed: Keith Jarrett / Budapest Concert
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DR Peak RMS Duration Track
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DR14 -1.23 dB -17.62 dB 14:29 01-Part I
DR15 -1.39 dB -22.40 dB 6:43 02-Part II
DR12 -1.46 dB -18.81 dB 7:55 03-Part III
DR13 -2.13 dB -18.84 dB 7:12 04-Part IV
DR14 -2.09 dB -21.18 dB 4:53 05-Part V
DR13 -1.41 dB -16.92 dB 3:37 06-Part VI
DR12 -0.51 dB -16.93 dB 5:24 07-Part VII
DR13 -1.34 dB -21.30 dB 5:18 08-Part VIII
DR13 -0.50 dB -16.12 dB 2:27 09-Part IX
DR13 -0.69 dB -16.77 dB 8:23 10-Part X
DR14 -0.63 dB -20.24 dB 5:29 11-Part XI
DR12 -0.51 dB -15.55 dB 3:47 12-Part XII - Blues
DR12 -0.50 dB -16.82 dB 7:37 13-It's a Lonesome Old Town
DR14 -0.50 dB -20.64 dB 4:29 14-Answer Me, My Love
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Number of tracks: 14
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1158 kbps
Codec: FLAC
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Источник (релизер): qobuz
Состав
Keith Jarrett - piano
Recorded live at Bela Bartok Concert Hall, Budapest on July 3, 2016.
Review by Jeff Tamarkin
Keith Jarrett—whose recent announcement that he suffered two debilitating strokes in 2018 casts severe doubt on the likelihood of his performing again—is already on record as saying that he now considers the new Budapest Concert, recorded in the Hungarian capital in 2016, the “gold standard” among his solo live albums. Why, a listener might wonder, does the pianist deem this particular recital to be worthier than his Munich 2016 set—taken from the same tour and released a year ago—or, for that matter, his 1975 landmark The Köln Concert? Virtually all of Jarrett’s solo releases approach impeccability, a remarkable achievement considering that he takes the same risk each time he enters a concert hall, engaging in pure improvisation and trusting his creative impulses. Is Budapest truly the pinnacle, or is Jarrett just responding to the thrill of the new? Who knows, but it’s up there with his finest, that much is for sure.
As with the Munich concert, and numerous other solo recordings, some dating back nearly half a century, Jarrett dispenses with titles, instead dividing his suite of spontaneous creations into “parts”: There are 12 of them on Budapest Concert, ranging in length from just under three minutes to nearly 15. Each part is intended both as a distinct movement and an essential slice of the whole pie; each exudes its own personality, but some naturally exert themselves more convincingly.
“Part I,” the longest on the two-disc set, presents the widest range of hues, tempos, and complexities: one second deceptively simple, the next a twisted flurry of notes, it’s a wild ride. “Part VII,” the first track handed over to streaming services as a teaser, is linear, serene, and accessible. Only one of the 12 parts, the last, receives a subtitle—“Blues”—and that’s precisely what it is, a joyous, fiercely played, irony-free boogie-woogie and a welcome surprise. The two encores, the borrowed compositions “It’s a Lonesome Old Town” and “Answer Me,” both of which also appeared on Munich 2016, are blissful enough, sure, but having just heard Keith Jarrett rock roadhouse-style, a bit of a letdown.