Bob Dylan – Blonde On Blonde (1966/2013)
Жанр:Rock, Folk Rock
Носитель: SACD
Год издания: 1966/2013
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2097
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 01:13:00
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Rainy Day Women #12 & 35 04:36
02.Pledging My Time 03:49
03.Visions Of Johanna 07:33
04.One Of Us Must Know (Sooner Or Later) 04:57
05.I Want You 03:07
06.Stuck Inside Of Mobile With The Memphis Blues Again 07:05
07.Leopard-skin Pill-box Hat 03:57
08.Just Like A Woman 04:55
09.Most Likely You Go Your Way And I’ll Go Mine 03:31
10.Temporary Like Achilles 05:03
11.Absolutely Sweet Marie 04:58
12.4th Time Around 04:34
13.Obviously 5 Believers 03:38
14.Sad Eyed Lady Of The Lowlands 11:17
SACD+Back
Blonde on Blonde
Blonde on Blonde is American singer-songwriter Bob Dylan’s seventh studio album, released in June 1966 by Columbia Records. It was produced by Bob Johnston, who had also recorded Dylan’s previous album, the highly successful Highway 61 Revisited. Initial work on the album went slowly, and little progress was made. Dylan and his backing band, made up of members of The Hawks, attended five recording sessions in New York from October 1965 to January 1966. However, only one recording from these sessions would make it onto the final album—”One of Us Must Know (Sooner or Later)”. At Johnston’s suggestion, Dylan and two of his backing musicians moved to the CBS recording studios in Nashville, Tennessee. These sessions, augmented by some of Nashville’s top session musicians, were much more productive, and the album was successfully completed in March 1966.
Blonde on Blonde is often considered to be the first significant double album in rock music. It is notable for injecting Dylan’s brand of blues rock with a more eclectic sound and even more surreal lyrics. The album peaked at #9 on Billboard’s Pop Albums chart in the US, eventually going double-platinum, while it reached #3 in the UK. It is ranked as the ninth greatest album of all time by both VH1 and Rolling Ston
All Music Review
If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like “Visions of Johanna,” “Just Like a Woman,” and “Sad Eyed Lady of the Lowlands.” Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands (“Rainy Day Women #12 & 35″). It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.
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发表于 2022-3-13 14:48:33
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