Формат записи/Источник записи: [TR24][OF] Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018 Издатель (лейбл): Cherry Red Records
Издание: Remastered
Продолжительность: 02:22:33
Наличие сканов в содержимом раздачи: Front
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
1982 Crumbling the Antiseptic Beauty
Жанр: Rock, Post-Punk, Jangle Pop
Продолжительность: 30:19
Источник (релизер): 7digital
1. Evergreen Dazed 5:06
2. Fortune 3:34
3. Birdmen 6:30
4. Cathedral 5:21
5. I Worship the Sun 4:15
6. Templeroy 5:35
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-02 09:08:57
--------------------------------------------------------------------------------
Analyzed: Felt / Crumbling The Antiseptic Beauty (Remastered Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -0.12 dB -10.86 dB 5:06 ?-Evergreen Dazed (Remastered Edition)
DR9 -0.14 dB -10.47 dB 3:34 ?-Fortune (Remastered Edition)
DR8 -0.64 dB -9.22 dB 6:30 ?-Birdmen (Remastered Edition)
DR8 -0.14 dB -9.26 dB 5:21 ?-Cathedral (Remastered Edition)
DR8 -0.14 dB -8.89 dB 4:15 ?-I Worship the Sun (Remastered Edition)
DR8 -0.14 dB -10.39 dB 5:35 ?-Templeroy (Remastered Edition)
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1519 kbps
Codec: FLAC
================================================================================
Об исполнителе (группе)
Felt was the project of Britain's enigmatic Lawrence Hayward, a singer/songwriter who transformed his long-standing obsession with the music of Tom Verlaine and Television into an impressive catalog of minimalist pop gems and, ultimately, cult stardom. The first Felt single, "Index," was produced by Hayward alone in his bedroom on a portable cassette player; released in 1979, its primitive, impressionistic sound stood in stark contrast to the sleek solemnity of the new wave (as did Hayward's much-discussed "new puritan" stance, a rejection of alcohol, smoking and drugs), and as a result the record became the subject of lavish critical praise, leading to a contract with the Cherry Red label.
Hayward then set about assembling a band, although Felt was clearly his project and his alone; in fact, his control was so absolute that according to legend, original drummer Tony Race was fired primarily because he had curly hair. After a series of roster shuffles, a steady group including guitarist Maurice Deebank and drummer Gary Ainge began to take shape in time to record 1981's Crumbling the Antiseptic Beauty EP. The addition of the classically-trained Deebank allowed Hayward to realize a level of guitar interplay similar to the twin attack of Television's Verlaine and Richard Lloyd; Hayward's understated vocals brought comparison to another downtown New York icon, however -- Lou Reed.
After one more EP, 1984's The Splendour of Fear, Felt issued its long-awaited full-length LP The Strange Idols Pattern and Other Short Stories, in 1984. The group's ranks swelled to include keyboardist Martin Duffy prior to recording 1985's Ignite the Seven Cannons with producer Robin Guthrie, whose fellow Cocteau Twin Liz Fraser guested on the single "Primitive Painters," a major British indie chart hit. Despite their success, internal friction plagued the group -- Hayward and Ainge were once forced to mount an infamously disastrous two-man improvisational festival performance after Deebank and Duffy abruptly walked out -- and finally Deebank left for good prior to the release of 1986's Ballad of the Band EP, Felt's first effort for the Creation label.
In the wake of the guitarist's exit, the group's next album, 1986's Let the Snakes Crinkle Their Heads, became a brief instrumental outing, but its follow-up, Forever Breathes the Lonely Word, was acclaimed as Felt's masterpiece. Mayo Thompson produced 1987's Poem of the River EP, while Guthrie returned to man the spartan mini-album The Final Resting of the Ark. Two dramatically different LPs, The Pictorial Jackson Review and Train Above the City -- the latter of which did not even include Hayward -- followed in 1988, and upon issuing 1989's Me and a Monkey on the Moon, Felt announced its break-up. Hayward soon resurfaced in the 1970s glam rock project Denim, then moved to novelty pop with Go Kart Mozart. ~ Jason Ankeny
1984 The Strange Idols Pattern and Other Short Stories
Жанр: Rock, Indie Rock
Продолжительность: 29:54
Источник (релизер): 7digital
01. Roman Litter
02. Sempiternal Darkness
03. Spanish House
04. Imprint
05. Sunlight Bathed the Golden Glow
06. Vasco De Gama
07. Crucifix Heaven
08. Dismantled King is off the Throne
09. Crystal Ball
10. Whirlpool Vision of Shame
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-04 17:58:58
--------------------------------------------------------------------------------
Analyzed: Felt / The Strange Idols Pattern And Other Short Stories (Remastered Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.14 dB -12.00 dB 2:15 ?-Roman Litter (Remastered Edition)
DR8 -0.14 dB -8.85 dB 3:30 ?-Sempiternal Darkness (Remastered Edition)
DR8 -0.14 dB -9.17 dB 4:28 ?-Spanish House (Remastered Edition)
DR12 -0.14 dB -14.24 dB 1:45 ?-Imprint (Remastered Edition)
DR8 -0.14 dB -8.70 dB 2:56 ?-Sunlight Bathed the Golden Glow (Remastered Edition)
DR8 -0.14 dB -8.66 dB 3:41 ?-Vasco De Gama (Remastered Edition)
DR10 -0.16 dB -12.47 dB 2:04 ?-Crucifix Heaven (Remastered Edition)
DR8 -0.14 dB -8.49 dB 2:51 ?-Dismantled King is off the Throne (Remastered Edition)
DR7 -0.14 dB -8.30 dB 2:56 ?-Crystal Ball (Remastered Edition)
DR8 -0.14 dB -9.87 dB 3:33 ?-Whirlpool Vision of Shame (Remastered Edition)
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1622 kbps
Codec: FLAC
================================================================================
Об исполнителе (группе)
Felt was the project of Britain's enigmatic Lawrence Hayward, a singer/songwriter who transformed his long-standing obsession with the music of Tom Verlaine and Television into an impressive catalog of minimalist pop gems and, ultimately, cult stardom. The first Felt single, "Index," was produced by Hayward alone in his bedroom on a portable cassette player; released in 1979, its primitive, impressionistic sound stood in stark contrast to the sleek solemnity of the new wave (as did Hayward's much-discussed "new puritan" stance, a rejection of alcohol, smoking and drugs), and as a result the record became the subject of lavish critical praise, leading to a contract with the Cherry Red label.
Hayward then set about assembling a band, although Felt was clearly his project and his alone; in fact, his control was so absolute that according to legend, original drummer Tony Race was fired primarily because he had curly hair. After a series of roster shuffles, a steady group including guitarist Maurice Deebank and drummer Gary Ainge began to take shape in time to record 1981's Crumbling the Antiseptic Beauty EP. The addition of the classically-trained Deebank allowed Hayward to realize a level of guitar interplay similar to the twin attack of Television's Verlaine and Richard Lloyd; Hayward's understated vocals brought comparison to another downtown New York icon, however -- Lou Reed.
After one more EP, 1984's The Splendour of Fear, Felt issued its long-awaited full-length LP The Strange Idols Pattern and Other Short Stories, in 1984. The group's ranks swelled to include keyboardist Martin Duffy prior to recording 1985's Ignite the Seven Cannons with producer Robin Guthrie, whose fellow Cocteau Twin Liz Fraser guested on the single "Primitive Painters," a major British indie chart hit. Despite their success, internal friction plagued the group -- Hayward and Ainge were once forced to mount an infamously disastrous two-man improvisational festival performance after Deebank and Duffy abruptly walked out -- and finally Deebank left for good prior to the release of 1986's Ballad of the Band EP, Felt's first effort for the Creation label.
In the wake of the guitarist's exit, the group's next album, 1986's Let the Snakes Crinkle Their Heads, became a brief instrumental outing, but its follow-up, Forever Breathes the Lonely Word, was acclaimed as Felt's masterpiece. Mayo Thompson produced 1987's Poem of the River EP, while Guthrie returned to man the spartan mini-album The Final Resting of the Ark. Two dramatically different LPs, The Pictorial Jackson Review and Train Above the City -- the latter of which did not even include Hayward -- followed in 1988, and upon issuing 1989's Me and a Monkey on the Moon, Felt announced its break-up. Hayward soon resurfaced in the 1970s glam rock project Denim, then moved to novelty pop with Go Kart Mozart. ~ Jason Ankeny
1984 The Splendour of Fear
Жанр: Rock, Pop, Indie Rock
Продолжительность: 30:40
Источник (релизер): 7digital
1. Red Indians
2. The World is as Soft as Lace
3. The Optimist and the Poet
4. Mexican Bandits
5. The Stagnant Pool
6. A Preacher in New England
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-07 11:03:10
--------------------------------------------------------------------------------
Analyzed: Felt / The Splendour of Fear (Remastered Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.10 dB -10.58 dB 1:55 ?-Red Indians (Remastered Edition)
DR8 -0.10 dB -9.24 dB 4:19 ?-The World is as Soft as Lace (Remastered Edition)
DR9 -0.10 dB -10.38 dB 7:53 ?-The Optimist and the Poet (Remastered Edition)
DR7 -0.10 dB -8.85 dB 3:48 ?-Mexican Bandits (Remastered Edition)
DR7 -0.10 dB -8.96 dB 8:30 ?-The Stagnant Pool (Remastered Edition)
DR8 -0.10 dB -9.84 dB 4:17 ?-A Preacher in New England (Remastered Edition)
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1438 kbps
Codec: FLAC
================================================================================
Об исполнителе (группе)
Felt was the project of Britain's enigmatic Lawrence Hayward, a singer/songwriter who transformed his long-standing obsession with the music of Tom Verlaine and Television into an impressive catalog of minimalist pop gems and, ultimately, cult stardom. The first Felt single, "Index," was produced by Hayward alone in his bedroom on a portable cassette player; released in 1979, its primitive, impressionistic sound stood in stark contrast to the sleek solemnity of the new wave (as did Hayward's much-discussed "new puritan" stance, a rejection of alcohol, smoking and drugs), and as a result the record became the subject of lavish critical praise, leading to a contract with the Cherry Red label.
Hayward then set about assembling a band, although Felt was clearly his project and his alone; in fact, his control was so absolute that according to legend, original drummer Tony Race was fired primarily because he had curly hair. After a series of roster shuffles, a steady group including guitarist Maurice Deebank and drummer Gary Ainge began to take shape in time to record 1981's Crumbling the Antiseptic Beauty EP. The addition of the classically-trained Deebank allowed Hayward to realize a level of guitar interplay similar to the twin attack of Television's Verlaine and Richard Lloyd; Hayward's understated vocals brought comparison to another downtown New York icon, however -- Lou Reed.
After one more EP, 1984's The Splendour of Fear, Felt issued its long-awaited full-length LP The Strange Idols Pattern and Other Short Stories, in 1984. The group's ranks swelled to include keyboardist Martin Duffy prior to recording 1985's Ignite the Seven Cannons with producer Robin Guthrie, whose fellow Cocteau Twin Liz Fraser guested on the single "Primitive Painters," a major British indie chart hit. Despite their success, internal friction plagued the group -- Hayward and Ainge were once forced to mount an infamously disastrous two-man improvisational festival performance after Deebank and Duffy abruptly walked out -- and finally Deebank left for good prior to the release of 1986's Ballad of the Band EP, Felt's first effort for the Creation label.
In the wake of the guitarist's exit, the group's next album, 1986's Let the Snakes Crinkle Their Heads, became a brief instrumental outing, but its follow-up, Forever Breathes the Lonely Word, was acclaimed as Felt's masterpiece. Mayo Thompson produced 1987's Poem of the River EP, while Guthrie returned to man the spartan mini-album The Final Resting of the Ark. Two dramatically different LPs, The Pictorial Jackson Review and Train Above the City -- the latter of which did not even include Hayward -- followed in 1988, and upon issuing 1989's Me and a Monkey on the Moon, Felt announced its break-up. Hayward soon resurfaced in the 1970s glam rock project Denim, then moved to novelty pop with Go Kart Mozart. ~ Jason Ankeny
1985 Ignite the Seven Cannons
Жанр: Rock, Indie Rock, Indie Pop, Dream Pop
Продолжительность: 32:46
Источник (релизер): 7digital
01. My Darkest Light Will Shine 2:54
02. The Day the Rain Came Down 2:27
03. Scarlet Servants 3:39
04. I Don’t Know Which Way Turn 2:47
05. Primitive Painters 6:01
06. Textile Ranch 2:59
07. Black Ship in the Harbour 2:58
08. Elegance in D 3:54
09. Caspian See 2:03
10. Southern State Tapestry 3:10
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-02 09:11:08
--------------------------------------------------------------------------------
Analyzed: Felt / Ignite The Seven Cannons (Remastered Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR6 -0.14 dB -7.86 dB 2:54 ?-My Darkest Light Will Shine (Remastered Edition)
DR8 -0.14 dB -8.43 dB 2:27 ?-The Day the Rain Came Down (Remastered Edition)
DR8 -0.14 dB -10.07 dB 3:39 ?-Scarlet Servants (Remastered Edition)
DR9 -0.14 dB -9.81 dB 2:47 ?-I Don’t Know Which Way Turn (Remastered Edition)
DR7 -0.14 dB -8.38 dB 6:01 ?-Primitive Painters (Remastered Edition)
DR8 -0.14 dB -8.66 dB 2:59 ?-Textile Ranch (Remastered Edition)
DR8 -0.14 dB -9.66 dB 2:58 ?-Black Ship in the Harbour (Remastered Edition)
DR8 -0.03 dB -8.90 dB 3:54 ?-Elegance in D (Remastered Edition)
DR7 -0.14 dB -8.25 dB 2:03 ?-Caspian See (Remastered Edition)
DR8 -0.14 dB -10.09 dB 3:10 ?-Southern State Tapestry (Remastered Edition)
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1543 kbps
Codec: FLAC
================================================================================
Об исполнителе (группе)
Ignite the Seven Cannons is the fourth album by English alternative rock band Felt, released in 1985.
The album was produced by Robin Guthrie of Cocteau Twins. His bandmate Elizabeth Fraser features prominently as backing vocalist on "Primitive Painters" which became Felt's most successful single, reaching the top of the UK independent singles chart. Tracks 6, 8, 9 and 11 are instrumental.
The 2018 remastered version for A Decade In Music box-set featured six remixed songs, while the tracks on Side Two of the original vinyl release were "focused, edited and 'made symmetrical'" resulting in the loss of "Serpent Shade". Lawrence said "I got a chance to re-mix the vocals on fourth album 'Ignite The Seven Cannons'. I was never happy with the mix that was done by Robin Guthrie of the Cocteau Twins. He kind of ruined some of my best songs, which I’m sure he’d agree with now he’s a lot more experienced!"
1986 The Seventeenth Century (Are Let The Snakes Crinkle Their Heads To Death)
Жанр: Rock, Pop, Avantgarde
Продолжительность: 18:54
Источник (релизер): 7digital
01. Song For William S. Harvey
02. Ancient City Where I Lived
03. The Seventeenth Century
04. The Palace
05. Indian Scriptures
06. The Nazca Plain
07. Jewel Sky
08. Viking Dress
09. Voyage To Illumination
10. Sapphire Mansions
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-07 11:00:33
--------------------------------------------------------------------------------
Analyzed: Felt / The Seventeenth Century (Remastered Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.13 dB -11.82 dB 2:42 ?-Song For William S. Harvey
DR9 -0.13 dB -13.95 dB 1:31 ?-Ancient City Where I Lived
DR11 -0.15 dB -13.62 dB 2:11 ?-The Seventeenth Century
DR9 -0.13 dB -11.95 dB 1:53 ?-The Palace
DR8 -0.15 dB -10.63 dB 1:34 ?-Indian Scriptures
DR10 -0.13 dB -12.01 dB 1:27 ?-The Nazca Plain
DR10 -0.14 dB -11.75 dB 1:01 ?-Jewel Sky
DR10 -0.13 dB -12.24 dB 2:50 ?-Viking Dress
DR9 -2.92 dB -13.94 dB 1:21 ?-Voyage To Illumination
DR9 -0.14 dB -11.20 dB 2:26 ?-Sapphire Mansions
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR9
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1632 kbps
Codec: FLAC
================================================================================
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发表于 2022-3-13 14:48:34
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