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[爵士和蓝调] (Post-Bop) [LP] [24/192] Charles Mingus - Mingus Mingus Mingus Mingus Mingus - 1963/1979, FLAC (tracks)

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发表于 2022-4-2 14:56:37 | 显示全部楼层 |阅读模式
Charles Mingus - Mingus Mingus Mingus Mingus Mingus
Жанр: Post-Bop
Носитель: LP
Год выпуска: 1963/1979
Лейбл: MCA Records/Impulse!/Victor Musical Industries, Inc. (VIM-5546)
Страна-производитель: Япония
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:40:33
Треклист:
01. II B.S. (Mingus) - 4:48
02. I X Love (Mingus) - 7:42
03. Celia (Mingus) - 6:14
04. Mood Indigo (Ellington-Mills-Bigard) - 4:43
05. Better Get Hit in Yo' Soul (Mingus) - 6:30
06. Theme for Lester Young (Mingus) - 5:53
07. Hora Decubitus (Mingus) - 4:43
Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3 DB > Remove DC Bias
Условия оцифровки
Lineage:
Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +3 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.

Спектры




Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-02-03 22:18:32
--------------------------------------------------------------------------------
Analyzed: Charles Mingus / Mingus Mingus Mingus Mingus Mingus
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -2.37 dB -15.19 dB 4:48 01-II B.S.
DR11 -1.91 dB -15.74 dB 7:42 02-I X Love
DR11 -1.86 dB -15.07 dB 6:14 03-Celia
DR12 -2.82 dB -18.14 dB 4:43 04-Mood Indigo
DR10 -3.64 dB -15.64 dB 6:30 05-Better Get Hit in Yo' Soul
DR10 -3.21 dB -16.78 dB 5:53 06-Theme for Lester Young
DR9 -3.13 dB -15.01 dB 4:43 07-Hora Decubitus
--------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5223 kbps
Codec: FLAC
================================================================================

Review by Steve Huey
Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus Mingus Mingus Mingus Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well -- "II B.S." is basically "Haitian Fight Song" (this is the version used in the late-'90s car commercial); "Theme for Lester Young" is "Goodbye Pork Pie Hat"; "Better Get Hit in Your Soul" adds a new ending, but just one letter to the title; "Hora Decubitus" is a growling overhaul of "E's Flat Ah's Flat Too"; and "I X Love" modifies "Nouroog," which was part of "Open Letter to Duke." There's also a cover of Duke Ellington's "Mood Indigo," leaving just one new composition, "Celia." Which naturally leads to the question: With the ostensible shortage of ideas, what exactly makes this a significant Mingus effort? The answer is that the 11-piece bands assembled here (slightly different for the two separate recording sessions) are among Mingus' finest, featuring some of the key personnel (Eric Dolphy, pianist Jaki Byard) that would make up the legendary quintet/sextet with which Mingus toured Europe in 1964. And they simply burn, blasting through versions that equal and often surpass the originals -- which is, of course, no small feat. This was Mingus' last major statement for quite some time, and aside from a solo piano album and a series of live recordings from the 1964 tour, also his last album until 1970. It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history.

Состав
#1,4-7:
Charles Mingus - bass
Eddie Preston, Richard Williams - trumpet
Brith Woodman - trombone
Don Butterfield - tuba
Jerome Richardson - soprano saxophone, baritone saxophone, flute
Eric Dolphy - alto saxophone, flute
Dick Hafer - tenor saxophone, clarinet, flute
Booker Ervin - tenor saxophone
Jaki Byard - piano
Walter Perkins - drums
Recorded in New York on September 20, 1963.
#2,3:
Charles Mingus - bass, piano
Rolf Ericson, Richard Williams - trumpet
Quentin Jackson - trombone
Don Butterfield - tuba
Jerome Richardson - soprano saxophone, baritone saxophone, flute
Charles Mariano - alto saxophone
Dick Hafer - tenor saxophone, flute, oboe
Jaki Byard - piano
Jay Berliner - guitar
Dannie Richmond - drums
Recorded in New York on January 20, 1963.
                                                                                       
                       
                       
                       
                       
                       
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