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[爵士和蓝调] (Soul, New Orleans R&B, Blues) [LP] [24/192] Allen Toussaint - Southern Nights - 1975, FLAC (tracks)

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发表于 2022-4-2 14:56:37 | 显示全部楼层 |阅读模式
Allen Toussaint - Southern Nights
Жанр: Soul, New Orleans R&B, Blues
Носитель: LP
Год выпуска: 1975
Лейбл: Reprise Records/Warner-Pioneer Corporation (P-8585R)
Страна-производитель: Япония
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:35:43
Треклист:
01. Last Train (3:01)
02. Worldwide (2:43)
03. Back in Baby's Arms (4:48)
04. Country John (4:46)
05. Basic Lady (2:57)
06. Southern Nights (3:36)
07. You Will Not Lose (3:42)
08. What Do You Want the Girl to Do? (3:39)
09. When the Party's Over (2:38)
10. Cruel Way to Go Down (3:53)
Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0/1.6 DB > Remove DC Bias
Условия оцифровки
Lineage:
KLAudio KL-LP-200 RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +0/1.6 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.

Спектры




Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-01-17 01:36:28
--------------------------------------------------------------------------------
Analyzed: Allen Toussaint / Southern Nights
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -1.15 dB -16.73 dB 3:01 01-Last Train
DR14 -2.72 dB -19.65 dB 2:43 02-Worldwide
DR13 -2.14 dB -18.21 dB 4:48 03-Back in Baby's Arms
DR13 -2.28 dB -18.45 dB 4:46 04-Country John
DR13 -2.24 dB -18.09 dB 2:57 05-Basic Lady
DR12 -3.54 dB -18.42 dB 3:36 06-Southern Nights
DR14 -1.19 dB -16.90 dB 3:42 07-You Will Not Lose
DR13 -2.27 dB -17.53 dB 3:39 08-What Do You Want the Girl to Do?
DR13 -3.01 dB -19.01 dB 2:38 09-When the Party's Over
DR12 -2.50 dB -19.12 dB 3:53 10-Cruel Way to Go Down
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR13
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4729 kbps
Codec: FLAC
================================================================================

Review by Stephen Thomas Erlewine
Allen Toussaint produced a kind of masterpiece with his first Reprise album, Life, Love and Faith, finding previously unimagined variations on his signature New Orleans R&B sound. For its 1975 sequel, Southern Nights, he went even further out, working with producer Marshall Sehorn to create a hazy vague concept album that flirted with neo-psychedelia while dishing out his deepest funk and sweetest soul. It's a bit of an unfocused album, but that's largely due to the repeated instrumental "filler," usually based on the theme of the title song, that pops up between every two or so songs, undercutting whatever momentum the album is building. That, along with a song or two that are merely average Toussaint, prevents Southern Nights from being a full-fledged masterpiece, but it comes close enough to that level of distinction anyway due to the brilliance of its best songs. There is, of course, "Southern Nights," which Glen Campbell later took to the top of the charts, but it's nearly unrecognizable here, given a swirling, trippy arrangement that plays like a heat mirage. It's rivalled by the exquisite "What Do You Want the Girl to Do?," later covered by both Bonnie Raitt and Boz Scaggs, neither of which equal the beautiful, sighing resignation of Toussaint's impeccable vocal performance. Then, there are the songs that weren't covered, but should have been, like the nearly anthemic "Back in Baby's Arm," the rolling, catchy "Basic Lady," the stately "You Will Not Lose," or the steady-grooving end-of-the-night "When the Party's Over." Then, there are the songs that perhaps only Toussaint could sing, given their complex yet nimble grooves: witness how "Country John" seems like a simple, straight-ahead New Orleans raver but really switches tempo and rhythm over the course of the song, or how the monumental "Last Train" builds from its spare, funky opening to a multi-layered conclusion boasting one of Toussaint's best horn arrangements and vocal hooks. These disparate sounds may not be tied together by the interludes, as they were intended, but they nevertheless hold together because they're strong songs all bearing Toussaint's unmistakable imprint. They're so good that they nearly knock the "near" of off the near-masterpiece status for Southern Nights, and they're the reason why the album should be a part of any serious soul collection.
                                                                                       
                       
                       
                       
                       
                       
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