UFO – UFO 1
Жанр: Prog/Hard Rock
Год выпуска: 1970
Лейбл: Decca SLK 16 671-P
Страна-производитель: Germany
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 39:13
Треклист:
A1 Unidentified Flying Object
A2 Boogie For George
A3 C’mon Everybody
A4 Shake It About
A5 (Come Away) Melinda
B1 Timothy
B2 Follow You Home
B3 Treacle People
B4 Who Do You Love
B5 Evil
Источник оцифровки: AlfredoCatalani @ April 10th, 2012
Album
UFO – UFO 1 {German Pressing} 24 bit/96 kHz
Posted by AlfredoCatalani @ April 10th, 2012
UFO – UFO 1 - 1970
Vinyl rip in 24 bit & 96 kHz | 1 LP | no cue & log | HQ Artwork | 837 MB |
Hard Rock, Classic Rock | German Pressing | Decca SLK 16 671-PInitially German version comes with red Decca label design, states the Royal Sound Stereo - brand.
Band name appears just on labels. Front, rear and spine denotes just the title. On the labels the title is "U.F.O. 1".
A5 just "Melinda" on rear cover.
Made in Germany - TELDEC »Telefunken-Decca« Schallplatten GmbH
Manufactured under license from Beacon Records Ltd., London, England
скрытый текст
When you listen to these first songs by UFO, you will immediately hear a mixture of 60′s Psychedelia/Acid Rock mixed with Heavy Blues/Early Metal. The guitar tone is exceptionally excellent in that there is wah-wah, old fuzz-tone distortion and some not so great phase shift (not a band error, but an engineering error). Get this release if you want to hear the transition of Rock from the late 60′s into the early 70′s.
While it’s true the first UFO album is *significantly* different from the more popular and successful Michael Schenker years, that absolutely does NOT mean the lead guitarist playing on this album is any worse.
I think all the comparisons to Schenker are totally unfair. Who cares if the Schenker version of the band is the one that became famous? That doesn’t make the first two UFO albums automatically bad. Laughable to think it does, in fact.
What matters is that Mick Bolton holds his own very well.
Yes, it’s true their follow-up, hour long Flying album is easily better than most of the songs here, but that certainly doesn’t mean UFO 1 is horrible in comparison to future UFO albums. I don’t get all the hate for this album at all.
Oh, and what’s up with all the hate concerning Mick Bolton’s guitar solos? People people, you’re hating extremely melodic and bluesy guitar solos. Just because the guy isn’t on the same level as Eric Clapton, George Harrison, or Tony Iommi doesn’t mean his playing is downright awful. It’s honestly really good guitar playing. The way people talk about his playing on here, you’d think he’s the worst player in the entire world, and that’s definitely not true.
Now, I don’t know if his style of guitar playing needs several listens in order to fully appreciate, or whether my taste in music has just simply changed over the years, but I can say for a fact that 10 years ago I could NOT appreciate Bolton’s guitar playing as much as I can nowadays.
This album has grown on me significantly over the years and now I consider it one of UFO’s very best. Flying is still the ultimate example of the bands guitar talents (plus features improved songwriting skills) so I guess UFO 1 would be the bands next best album.
Whether the same will happen to you -and you learn to adjust to Bolton’s style or not- is something I don’t have an answer to, I’m afraid. I *hope* most people who feel negatively towards this album eventually grow to appreciate his style.
This album has won me over BIG time. 10 years ago I wouldn’t have been able to say that.
I personally feel Mick Bolton is better than other famous guitarists such as Robin Trower, Peter Frampton, and Ritchie Blackmore. Just a matter of personal taste.
If UFO’s first album has one major flaw it’s that the songwriting just wasn’t there yet. You have a few cover songs, and that’s not exactly surprising to me considering the year the record was released, it’s just slightly disappointing. At least Bolton’s guitar work makes up for it with his dazzling display really enhancing the entire album.
Also the album is very short at just 35 minutes.
I honestly think people don’t particularly care for Mick Bolton because he’s just one of several blues guitarists from back in the day, and perhaps in many peoples minds there’s no room left for more. I have to disagree of course.
This version of “(Come Away) Melinda” is a bit odd compared to Uriah Heep’s more noticeably haunting and atmospheric version, but I like it all the same. “Boogie” is a brilliant display of melodic guitar soloing. “C’mon Everybody” is a perfect party song. “Evil” is quite possibly the most underrated song here. I LOVE everything about this one.
I also admire the rhythm section in “Shake It About” when it speeds up halfway through and delivers with more tasty guitar licks. I love it. Nothing floors me quite like “Unidentified Flying Object” though. The guitar playing on this track is just out of this world to me
AlfredoCatalani
Credits
Bass Guitar – Pete Way
Drums – Andy Parker
Executive Producer – Milton Samuel
Lead Guitar – Mick Bolton
Liner Notes – Derek Abrahams
Producer – Doug Flett, Guy Fletcher
Vocals – Phil Mogg
Art
Technical Ripping Infos
RCM: Okki Nokki
TT: Clearaudio Champion Level II + Special Edition Denon DL 103 -> Pro-Ject Phono Box II
Pre Amp: Unison Research Unico Pre (Tube)
Finals: Opera Consonance 9.9 Mono (Tube)
Speakers: Dali Helikon 400
Software: iZotope RX Advanced v2.02, Adobe Audition CS 5.5 -> Wave 32 bit/96 kHz
Light de-Clicking with ClickRepair, significant clicks manually removing, no De-NoisingYou hear some clicks and pops here and there?
Who cares?
I better let some light anomalies instead of destroying the music.
Enjoy the music, not the ticks & pops.Converting Wave 32bit/96kHz -> Flac 24bit/96kHz: Twisted Wave
Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5