Schütz - David & Salomon, Psalmi | Canticum Canticorum
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): Harmonia Mundi
Продолжительность: 01:13:36
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Heinrich Schütz
Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2
01. Alleluja! Lobet den Herren, SWV. 38 (8:41)
02. Die mit Tränen säen, SWV. 42 (5:06)
03. Ich beschwöre euch, ihr Töchter zu Jerusalem (Dialogus), SWV. 339 (8:14)
Symphoniae sacrae I, Op. 6
04. Anima mea liquefacta est, prima parte, SWV. 263 (4:29)
05. Adjuro vos, filiae Jerusalem, seconda parte, SWV. 264 (4:18)
Samuel Scheidt
06. Paduana Dolorosa a 4, SSWV. 42 (4:59)
Heinrich Schütz
Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2
07. An den Wassern zu Babel SWV. 37 (5:28)
08. Warum toben die Heiden, SWV. 23 (4:30)
Cantiones sacrae, Op. 4
09. Ego dormio et cor meum vigilat, prima parte, SWV. 63-64 (4:05)
10. Vulnerasti cor meum, filia charissima, seconda parte, SWV. 64 (3:56)
Symphoniae sacrae I, Op. 6
11. O quam tu pulchra es, amica mea, prima parte, SWV. 265 (4:48)
12. Veni de Libano, veni, amica mea, seconda parte, SWV. 266 (4:25)
Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2
13. Herr, unser Herrscher, SWV. 27 (4:29)
14. Danket dem Herren, denn er ist freundlich, SWV. 45 (6:14)
Исполнители:
Les Cris de Paris
Geoffroy Jourdain, direction
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2022-09-25 15:36:01
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Analyzed: Les Cris de Paris - Geoffroy Jourdain / Schütz: David & Salomon. Psalmi, Canticum Canticorum
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DR Peak RMS Duration Track
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DR12 -0.21 dB -16.55 dB 8:41 01-Alleluja! Lobet den Herren, SWV. 38
DR14 -3.04 dB -21.87 dB 5:06 02-Die mit Tränen säen, SWV. 42
DR14 -3.17 dB -21.03 dB 8:14 03-Ich beschwöre euch, ihr Töchter zu Jerusalem (Dialogus), SWV. 339
DR13 -3.51 dB -20.28 dB 4:29 04-Anima mea liquefacta est, prima parte, SWV. 263
DR13 -3.35 dB -21.65 dB 4:18 05-Adjuro vos, filiae Jerusalem, seconda parte, SWV. 264
DR12 -3.55 dB -20.55 dB 4:59 06-Ludi musici: Paduana Dolorosa a 4, SSWV. 42
DR13 -0.20 dB -17.72 dB 5:28 07-An den Wassern zu Babel SWV. 37
DR11 -0.20 dB -14.96 dB 4:30 08-Warum toben die Heiden, SWV. 23
DR13 -3.70 dB -21.60 dB 4:05 09-Ego dormio et cor meum vigilat, prima parte, SWV. 63-64
DR12 -4.53 dB -24.55 dB 3:56 10-Vulnerasti cor meum, filia charissima, seconda parte, SWV. 64
DR14 -4.67 dB -24.15 dB 4:48 11-O quam tu pulchra es, amica mea, prima parte, SWV. 265
DR12 -6.40 dB -22.73 dB 4:25 12-Veni de Libano, veni, amica mea, seconda parte, SWV. 266
DR13 -1.08 dB -19.31 dB 4:29 13-Herr, unser Herrscher, SWV. 27
DR11 -0.20 dB -14.75 dB 6:14 14-Danket dem Herren, denn er ist freundlich, SWV. 45
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Number of tracks: 14
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2721 kbps
Codec: FLAC
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Об альбоме (сборнике)
Heinrich Schütz's choral music began to be recorded as soon as performers started looking into Bach's predecessors in Germany, and most of it has been recorded often. There are big readings by modern choirs and careful historically inclined versions, with advantages to each. Perhaps never, however, has there been a Schütz collection that throws his works into such sharp relief, and it comes not from Germany, with its deep bench of choirs, or from Italy, home of the cutting edge in Baroque performance, but from France. The vocal-instrumental group Les Cris de Paris and director Geoffroy Jourdain have issued some wonderful Baroque recordings, and this is one of the best. The ensemble size, 22 choristers and about the same number of instrumentalists, is perfect. The program differentiates two major phases of Schütz's career, with stylistic advances precipitated by the composer's two trips to Italy, in 1609 and 1628, where he soaked up the groundbreaking innovations of, respectively, Giovanni Gabrieli and Claudio Monteverdi, and returned home to put a distinctively German spin on them. His sacred music has a mixture of formality and deep expressiveness that is very much akin to Bach, and Jourdain and Les Cris de Paris atomize its elements beautifully here. They also capture another Bachian feature of Schütz's styles, which were effective both on the larger and the smaller scale; the Psalmen Davids and Symphoniae Sacrae are interspersed with intimate works for small vocal and instrumental forces that continued to resonate decades later in the sacred chamber music of Buxtehude, and even in Bach's cantatas. The singing is all at a very high level, and its various layers emerge vividly. The result is a set of performances where each work has deep resonances. Some of those resonances, as Jourdain points out in the interview-format booklet notes, were personal for the composer, and this adds yet another layer. The sound from the Église protestante unie du Saint-Esprit in Paris is ideal, and in every way, this is a revelatory Schütz release.