Confluence: Balkan Dances & Tango Nuevo
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): Sono Luminus
Продолжительность: 00:38:26
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64 (2,8 MHz/1 Bit)
Формат: PCM
Количество каналов: 2.0
Источник (релизер): nativedsd.com
Треклист:
Ray Granlund
01. Maureen
Marko Tajcevic
7 Balkan Dances
02. No. 1, Con moto
Ray Granlund
03. Tangovals
Marko Tajcevic
7 Balkan Dances
04. No. 2, Rustico
05. No. 3, Vivo
Ray Granlund
06. Sollozo Perpetuo
Marko Tajcevic
7 Balkan Dances
07. No. 4, Sostenuto e cantabile
Ray Granlund
08. Tango Peregrino
Marko Tajcevic
7 Balkan Dances
09. No. 5, Allegro ritmico
10. No. 6, Allegretto
Ray Granlund
11. Tangonometria
Marko Tajcevic
7 Balkan Dances
12. No. 7, Allegro quasi pesante
Ray Granlund
13. Tango du joli printemps (After Poulenc's FP 117)
Исполнители:
Zachary Carretin, violin
Mina Gajic, piano
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2022-09-25 11:44:41
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Analyzed: Mina Gajic, piano / Confluence: Balkan Dances & Tango Nuevo (1-7)
Zachary Carrettin, violin - Mina Gajic, piano / Confluence: Balkan Dances & Tango Nuevo (8-13)
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DR Peak RMS Duration Track
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DR10 -8.58 dB -23.48 dB 1:40 02-Balkan Dances: I. Con moto
DR11 -5.75 dB -20.43 dB 1:40 04-Balkan Dances: II. Rustico
DR11 -6.22 dB -22.42 dB 0:55 05-Balkan Dances: III. Vivo
DR14 -5.99 dB -26.10 dB 3:00 07-Balkan Dances: IV. Sostenuto e cantabile
DR11 -5.59 dB -21.84 dB 1:08 09-Balkan Dances: V. Allegro ritmico
DR11 -6.38 dB -25.46 dB 0:49 10-Balkan Dances: VI. Allegretto
DR9 -5.67 dB -17.60 dB 1:12 12-Balkan Dances: VII. Allegro quasi pesante
DR11 -5.69 dB -20.17 dB 3:39 01-Maureen
DR13 -6.47 dB -23.54 dB 5:28 03-TangoVals
DR13 -6.02 dB -21.73 dB 6:24 06-Sollozo Perpetuo
DR12 -5.80 dB -21.66 dB 5:18 08-Tango Peregrino
DR11 -5.61 dB -19.31 dB 3:18 11-TangoNometria
DR11 -5.64 dB -19.52 dB 4:04 13-Tango du joli printemps, after Poulenc
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Number of tracks: 13
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Об альбоме (сборнике)
After many years of performing these works in recitals, we wanted to record them—not as two separate sets but as a confluence of dance-inspired music influenced by two distinct regions and cultures. We chose to travel back and forth between duo and solo, interweaving Balkan dances and tango nuevo in the way we have done in live performances. During the Covid-19 pandemic, which continues at the time we write these words, we’ve repeatedly found ourselves performing for audiences virtually, separated from one another by the computer screen and yet connected to one another by that same screen. In recording this audio CD we sought to bring some of the live concert experience to the listener. The track order, tempos, pacing between selections, the improvisatory nature of some of the phrasing, dynamics, articulations, and embellishments, were elements in our process that we felt could contribute to providing some of the live concert feeling that we’ve all been missing during periods of lockdown.
This music is especially close to each of us: The tangos were composed for me (Zachary) to play, and like the sonatas of the Italian violinist-composers of the Baroque Era, these compositions provide an environment for exploration, an invitation to embrace improvisation as part of the process. As a classical violinist who utilizes improvisation as part of violin study and as a means to develop a particular relationship to a musical score, I feel a closeness to music that is structured in a way as to invite a particular type of partnership with the musician studying and performing the work.
The Balkan Dances are a musical reflection of the cultural influences in my (Mina’s) childhood, in what was then Yugoslavia. Certain rhythms, melodic fragments, and harmonic progressions conjure visceral memories from traveling throughout the rich cultural landscapes across the region, and of singing and dancing traditional songs in several dialects as a child and music student. My mother helped with analysis of the musical material thanks to her extensive performances of Balkan folk music as a singer and player of the traditional recorders, and her many musical collaborations across all the regions of former Yugoslavia.
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发表于 2022-9-27 16:19:12
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