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[DSD][OF] Salvatore Accardo, Orchestra Giovanile Italiana, Orechstra da Camera Italiana - Works for Violin of Bernstein, Penderecki - 2014 (Classical)
Works for Violin of Bernstein, Penderecki
ORCHESTRA GIOVANILE ITALIANA
ORECHSTRA DA CAMERA ITALIANA
SALVATORE ACCARDO
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2014
Жанр: Classical
Издатель (лейбл): Fonè
Продолжительность: 1:12:42
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
LEONARD BERNSTEIN - SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI
01 - Lento, Allegro (6:48)
02 - Allegretto (4:34)
03 - Presto (1:33)
04 - Adagio (8:06)
05 - Molto tenuto, Allegro molto vivace (11:15)
KRZYSZTOF PENDERECKI
06 - CONCERTO PER VIOLINO (40:27)
Контейнер: DFF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Official DR value: DR15
foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2022-01-06 11:24:49
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Analyzed: Salvatore Accardo / BERNSTEIN / PENDERECKI
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DR Peak RMS Duration Track
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DR16 -4.70 dB -24.04 dB 6:48 01-SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI - Lento, Allegro
DR14 -9.29 dB -25.58 dB 4:34 02-SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI - Allegretto
DR15 -7.31 dB -25.20 dB 1:33 03-SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI - Presto
DR16 -5.38 dB -24.76 dB 8:06 04-SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI - Adagio
DR15 -5.07 dB -23.78 dB 11:15 05-SERENADE PER VIOLINO, ARCHI, ARPA E PERCUSSIONI - Molto tenuto, Allegro molto vivace
DR17 -5.13 dB -24.84 dB 40:27 06-CONCERTO PER VIOLINO
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Number of tracks: 6
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 352800 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
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Доп. информация:
Label: Fonè, SKU SACD096
Release Date: December 6, 2014
Conceived and produced by: Giulio Cesare Ricci
Recorded at: Teatro Unione Viterbo (Bernstein), Salone dei Cinquecento - Palazzo Vecchio, Firenze (Penderecki)
Recording date: November 14, 1998 (Bernstein) / June 8, 1987 (Penderecki)
Original Recording Format: Analog Tape
Recording Type & Bit Rate: Analog to DSD64
Оркестр: ORCHESTRA GIOVANILE ITALIANA, ORECHSTRA DA CAMERA ITALIANA
Композитор: LEONARD BERNSTEIN, KRZYSZTOF PENDERECKI
Исполнитель: SALVATORE ACCARDO – violin
Об альбоме (сборнике)
The Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s “Symposium”) is a five-movement concerto written by Leonard Bernstein in 1954 and first performed at La Fenice in Venice by Isaac Stern and Igor Stravinski.
PENDERECKI: CONCERTO FOR VIOLIN
Krzysztof Penderecki composed his Concerto for Violin and orchestra between 1974 and 1976; the work was first performed on 27th April 1977 by the violinist Isaac Stern, accompanied by the Basle Symphony Orchestra conducted by Moshe Atzmon. This is Penderecki’s second composition for Violin and orchestra. The Capriccio, composed in 1966 both in its spirit and in the demands, it makes on marked virtuosity in performance calls to mind models in Paganini’s style.
LEONARD BERNSTEIN
The Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s “Sympo-sium”) is a five-movement concerto written by Leonard Bernstein in 1954 and first performed at La Fenice in Venice by Isaac Stern and Igor Stravinskij.
The Serenade is highly unusual in that the composer was inspired by Plato’s Sym-posium, a dialogue of related statements in praise of love, each statement made by a distinguished Athenian speaker.
The speakers who inspired Bernstein’s five movements are as follows, together with the relative musical markings:
I. Phaedrus: Pausanias - Lento and allegro
II. Aristophanes - allegretto
III. Eryximachus - presto
IV. Agathon - adagio
V. Socrates - molto tenuto and allegro molto vivac
Although the Serenade is for violin, strings, harp and percussion, the violin is the most prominent solo instrument. The work can therefore be considered essentially a violin concerto.
KRZYSZTOF PENDERECKI
Krzysztof Penderecki composed his Concerto for Violin and orchestra between 1974 and 1976; the work was first performed on 27th April 1977 by the violin-ist Isaac Stern, accompanied by the Basle Symphony Orchestra conducted by Moshe Atzmon. This is Penderecki’s second composition for Violin and orches-tra. The Capriccio, composed in 1966 both in its spirit and in the demands, it makes on marked virtuosity in performance calls to mind models in Paganini’s style. The Concerto in contrast is a far more introspective work, caracterised by an essentially lirical and expressive use of the solo instrument. The Concerto was originally to have consisted of five movements. Working on the first movement, however, Penderecki finally found himself concentrating esclusively on it, continu-ally extending its structure, so that today the work may be seen as a sort of long meditation in a single movement lasting almost 40 minutes. The composition, which is almost consistently sad and introverted, lacks those experimental traits which distinguish Penderecki’s earlier production (except for the use of quarter tones). The work progresses calmly, giving long melodic passages to the soloist, who is almost alwais present in the concerto. Two runs are also entrusted to the soloist, both of them scored completely by the composer. The whole concerto is based, in essence, on three basic themes, whose various musical implications are developed in turn: the first theme, which will take up again in the Finale, with its grand solemn tones, is immediately announced by the orchestra at the beginning of the work; the second theme has a more lyrical, cantabile nature, whilst the third possesses grotesque inflections and marching rhythm and, ideally, occupies the place that had been delegated to the Scherzo in the original project. As a sort of unyfing element for the whole concerto we find a guiding motif which, although it has no explicit thematic function, reappears at various moment during the work: it is a short, gloomy, melodic statement, underlined by dull interventions of the percussion instruments, all of which, in accordance with the explicit intention of the composer, serves to remind us of the basically tragic motivation of this com-position.
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发表于 2022-9-27 16:19:16
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