Sergei Rachmaninoff - Complete Piano Works, Vol. 1
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2014
Жанр: Classical, Piano
Издатель (лейбл): Odradek Records
Продолжительность: 02:24:58
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Variations on a Theme of Corelli, Op. 42
01. I. Theme (Andante)
02. II. Variation 1 (Poco piu? mosso)
03. III. Variation 2 (L’istesso tempo)
04. IV. Variation 3 (Tempo di Menuetto)
05. V. Variation 4 (Andante)
06. VI. Variation 5 (Allegro)
07. VII. Variation 6 (L’istesso tempo)
08. VIII. Variation 7 (Vivace)
09. IX. Variation 8 (Adagio misterioso)
10. X. Variation 9 (Un poco piu mosso)
11. XI. Variation 10 (Allegro scherzando)
12. XII. Variation 11 (Allegro vivace)
13. XIII. Variation 12 (L’Istesso Tempo)
14. XIV. Variation 13 (Agitato)
15. XV. Intermezzo (A tempo rubato)
16. XVI. Variation 14 (Andante)
17. XVII. Variation 15 (L’Istesso Tempo)
18. XVIII. Variation 16 (Allegro Vivace)
19. XIX. Variation 17 (Meno mosso)
20. XX. Variation 18 (Allegro con brio)
21. XXI. Variation 19 (Piu mosso. Agitato)
22. XXII. Variation 20 (Piu Mosso)
23. XXIII. Coda (Andante)
Piano Sonata No. 2 in B flat minor, Op. 36
24. I. Allegro agitato
25. II. Non allegro
26. III. Allegro molto
6 Moments musicaux, Op. 16
27. I. Andantino (B flat minor)
28. II. Allegretto (E flat minor) (1940 version)
29. III. Andante cantabile (B minor)
30. IV. Presto (E minor)
31. V. Adagio sostenuto (D flat major)
32. VI. Maestoso (C major)
7 Morceaux de Salon, Op. 10
33. I. Nocturne
34. II. Valse
35. III. Barcarolle (as recorded by composer)
36 IV. Melodie
37 V. Humoresque (1940 version)
38 VI. Romance
39. VII. Mazurka
9 Etudes-tableaux, Op. 39
40. I. Allegro agitato (C minor)
41. II. Lento assai (A minor)
42. III. Allegro molto (F-sharp minor)
43. IV. Allegro assai (B minor)
44. V. Appassionato (E-flat minor)
45. VI. Allegro (A minor)
46. VII. Lento lugubre (C minor)
47. VIII. Allegro Moderato (D Minor)
48. IX. Tempo di marcia (D major)
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-29 23:48:10
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Analyzed: Artur Pizarro / Sergei Rachmaninoff: Complete Piano Works, Vol. 1
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DR Peak RMS Duration Track
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DR11 -11.68 dB -30.74 dB 0:59 01-Variations on a Theme of Corelli, Op. 42: I. Theme (Andante)
DR10 -6.99 dB -22.76 dB 0:43 02-Variations on a Theme of Corelli, Op. 42: II. Variation 1 (Poco piu? mosso)
DR10 -10.07 dB -24.56 dB 0:41 03-Variations on a Theme of Corelli, Op. 42: III. Variation 2 (L’istesso tempo)
DR12 -3.24 dB -22.50 dB 0:46 04-Variations on a Theme of Corelli, Op. 42: IV. Variation 3 (Tempo di Menuetto)
DR12 -8.39 dB -26.77 dB 0:58 05-Variations on a Theme of Corelli, Op. 42: V. Variation 4 (Andante)
DR11 0.00 dB -13.53 dB 0:20 06-Variations on a Theme of Corelli, Op. 42: VI. Variation 5 (Allegro)
DR10 -1.19 dB -21.10 dB 0:21 07-Variations on a Theme of Corelli, Op. 42: VII. Variation 6 (L’istesso tempo)
DR10 0.00 dB -13.02 dB 0:27 08-Variations on a Theme of Corelli, Op. 42: VIII. Variation 7 (Vivace)
DR11 -10.01 dB -26.19 dB 0:56 09-Variations on a Theme of Corelli, Op. 42: IX. Variation 8 (Adagio misterioso)
DR11 -7.05 dB -22.67 dB 0:53 10-Variations on a Theme of Corelli, Op. 42: X. Variation 9 (Un poco piu mosso)
DR10 -1.60 dB -20.39 dB 0:37 11-Variations on a Theme of Corelli, Op. 42: XI. Variation 10 (Allegro scherzando)
DR10 0.00 dB -11.76 dB 0:25 12-Variations on a Theme of Corelli, Op. 42: XII. Variation 11 (Allegro vivace)
DR11 -1.99 dB -16.84 dB 0:41 13-Variations on a Theme of Corelli, Op. 42: XIII. Variation 12 (L’istesso tempo)
DR11 -0.33 dB -16.76 dB 0:34 14-Variations on a Theme of Corelli, Op. 42: XIV. Variation 13 (Agitato)
DR12 -0.17 dB -18.72 dB 1:13 15-Variations on a Theme of Corelli, Op. 42: XV. Intermezzo (A tempo rubato)
DR12 -6.25 dB -25.11 dB 0:58 16-Variations on a Theme of Corelli, Op. 42: XVI. Variation 14 (Andante)
DR11 -10.19 dB -26.41 dB 1:30 17-Variations on a Theme of Corelli, Op. 42: XVII. Variation 15 (L’istesso tempo)
DR11 -0.55 dB -15.45 dB 0:33 18-Variations on a Theme of Corelli, Op. 42: XVIII. Variation 16 (Allegro vivace)
DR12 -4.82 dB -25.55 dB 1:08 19-Variations on a Theme of Corelli, Op. 42: XIX. Variation 17 (Meno mosso)
DR10 0.00 dB -11.94 dB 0:32 20-Variations on a Theme of Corelli, Op. 42: XX. Variation 18 (Allegro con brio)
DR9 0.00 dB -13.82 dB 0:32 21-Variations on a Theme of Corelli, Op. 42: XXI. Variation 19 (Piu mosso. Agitato)
DR9 0.00 dB -11.43 dB 0:58 22-Variations on a Theme of Corelli, Op. 42: XXII. Variation 20 (Piu mosso)
DR12 -7.45 dB -24.97 dB 1:25 23-Variations on a Theme of Corelli, Op. 42: XXIII. Coda (Andante)
DR11 0.00 dB -16.43 dB 9:19 24-Piano Sonata No. 2, Op. 36: I. Allegro agitato
DR14 -0.23 dB -20.16 dB 6:45 25-Piano Sonata No. 2, Op. 36: II. Non allegro
DR9 0.00 dB -12.95 dB 6:09 26-Piano Sonata No. 2, Op. 36: III. Allegro molto
DR14 -4.26 dB -24.05 dB 7:28 27-6 Moments musicaux, Op. 16: I. Andantino (B-flat minor)
DR11 0.00 dB -14.68 dB 3:11 28-6 Moments musicaux, Op. 16: II. Allegretto (E-flat minor)
DR14 0.00 dB -19.03 dB 7:42 29-6 Moments musicaux, Op. 16: III. Andante cantabile (B minor)
DR10 0.00 dB -13.53 dB 3:43 30-6 Moments musicaux, Op. 16: IV. Presto (E minor)
DR13 -4.51 dB -22.95 dB 4:12 31-6 Moments musicaux, Op. 16: V. Adagio sostenuto (D-flat major)
DR8 0.00 dB -11.71 dB 5:39 32-6 Moments musicaux, Op. 16: VI. Maestoso (C major)
DR14 -1.81 dB -23.14 dB 5:01 33-7 Morceaux de Salon, Op. 10: I. Nocturne
DR12 0.00 dB -20.71 dB 3:44 34-7 Morceaux de Salon, Op. 10: II. Valse
DR13 -3.24 dB -21.23 dB 4:29 35-7 Morceaux de Salon, Op. 10: III. Barcarolle
DR14 -0.99 dB -21.68 dB 4:12 36-7 Morceaux de Salon, Op. 10: IV. Melodie
DR11 0.00 dB -16.36 dB 3:27 37-7 Morceaux de Salon, Op. 10: V. Humoresque
DR14 -2.03 dB -23.49 dB 4:55 38-7 Morceaux de Salon, Op. 10: VI. Romance
DR10 0.00 dB -13.74 dB 5:40 39-7 Morceaux de Salon, Op. 10: VII. Mazurka
DR10 0.00 dB -14.20 dB 2:59 40-9 Etudes-tableaux, Op. 39: I. Allegro agitato (C minor)
DR14 0.00 dB -22.25 dB 6:41 41-9 Etudes-tableaux, Op. 39: II. Lento assai (A minor)
DR13 0.00 dB -17.93 dB 3:18 42-9 Etudes-tableaux, Op. 39: III. Allegro molto (F-sharp minor)
DR13 0.00 dB -17.64 dB 3:56 43-9 Etudes-tableaux, Op. 39: IV. Allegro assai (B minor)
DR11 0.00 dB -15.71 dB 6:06 44-9 Etudes-tableaux, Op. 39: V. Appassionato (E-flat minor)
DR14 0.00 dB -17.97 dB 2:50 45-9 Etudes-tableaux, Op. 39: VI. Allegro (A minor)
DR14 0.00 dB -19.29 dB 7:44 46-9 Etudes-tableaux, Op. 39: VII. Lento lugubre (C minor)
DR13 0.00 dB -20.31 dB 4:08 47-9 Etudes-tableaux, Op. 39: VIII. Allegro moderato (D minor)
DR9 0.00 dB -13.08 dB 3:53 48-9 Etudes-tableaux, Op. 39: IX. Tempo di marcia (D major)
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Number of tracks: 48
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2292 kbps
Codec: FLAC
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Об альбоме (сборнике)
Described as a “poet amongst pianists”, the renowned Portuguese artist Artur Pizarro makes his debut for Odradek Records with the first of three 2-CD sets presenting the complete solo piano works of Sergei Rachmaninoff.
A former winner of the Leeds Piano Competition - which brought him to international acclaim in1990 - Pizarro offers his listeners a lifetime of love for, and experience with, this music which speaks, as he says, “of the endless variety of the human condition”.
Tracing Rachmaninoff's development as a composer from the early Nocturnes and his encounters with Tchaikovsky as a teenage student of Nikolai Zverev in the 1880s, to the so-called ‘Corelli Variations’ of the 1930s,
this landmark release shines a new light on every aspect of this remarkable oeuvre.
“The sheer inventiveness and beauty of the music is really amazing,” Artur Pizarro told Pianist magazine. “The rhythmic and harmonic language is so rich, and very few composers wrote so well for the piano.”
On this first volume, from the monumental passion of the Piano Sonata No 2, via the Etudes-tableaux, Op.39, to the tender lyricism of many of the lesser-known miniatures, Pizarro imbues every page of this music with the fire and feeling for melodic contour for which his playing has become so admired.