[分享]柴可夫斯基(Tchaikovsky)-1812序曲 TELARC (泰拉克)[Flac+百度]

长刀在手

百度云分享地址：柴可夫斯基的1812序曲动态效果惊人，而且很适合做发烧曲目，是发烧碟的最爱之一。泰拉克也在多张碟片中包含该曲，以1812做标题发行的专辑就有4张，论坛已有CD编号为 80541的 “柴可夫斯基Tchaikovsky1812序曲“ 和CD编号为 80640的 “ Telarc《老柴 1812序曲》”，本帖提供的是编号为80041的专辑。
  ——播音灰机

专辑英文名: Tchaikovsky: 1812 - Capriccio Italien - Cossack Dance
专辑中文名: 柴科夫斯基 - 1812序曲
艺术家: Erich Kunzel
资源格式: FLAC
发行时间: 2006年05月23日
地区: 美国
简介:


专辑介绍：

一片精装/美国发烧小厂920 最爆棚的砲声!!!

美国泰拉克唱片公司在他的录音历史上，曾经出版过４张柴可夫斯基《１８１２序曲》的音乐制品；其中有３张是ＣＤ唱片，１张是超重装的ＬＰ唱片。
泰拉克公司的第一张《１８１２序曲》是在七十年代末出版、发行的。这是一张划时代的超级ＬＰ唱片。採用２４０克的超重装压制（常规的ＬＰ唱片每张重１２０克）。该唱片的重播音色细致，层次丰富，表现力很好。尤其是在大炮效果录音的段落，动态十足，质感极佳。当然这也对播放器材、尤其是ＬＰ唱头的循迹能力提出了极为苛刻的要求。该ＬＰ唱片在大炮效果部分的片纹十分宽大，纹矩超过了１毫米（常规纹矩为０.１毫米左右）
这张“大炮”ＬＰ唱片的编号为：１００４１。共收录了《１８１２序曲》、《义大利随想曲》和《哥萨克舞曲》等三首乐曲。mEnwM,
这张唱片的整体音色厚重、温暖，歌唱性非常强。这张ＬＰ唱片的重播音场宽大，而且建立在厚重、歌唱性基础之上，十分难得。D}
该ＬＰ唱片採用独立硬盒包装。该片的销量有限、有良好播放该片的音响器材更有限，能亲耳聆听该张ＬＰ唱片的播放并不是一件容易的事。北京音乐台《发烧门诊部》就曾在北京音乐厅的视听欣赏会上，满足了在场观眾的这一要求。=

Telarc's Tchaikovsky: "1812" Overture is a landmark in American classical music recordings -- if it was not the first digitally recorded classical album in American history, it would place in perhaps the first five such albums. It was originally issued on LP, and the grooves on the record were so violently waggy and far apart that it was as much fun to look at the grooves spin around on the vinyl as it was to listen to it. In the compact disc edition of Tchaikovsky: "1812" Overture, the LP, as interesting as it was, is nowhere to be found in the production chain -- this is straight from the digital master tapes to the digital disc with no analog steps along the way.

Erich Kunzel is not the kind of conductor who gets all hot under the collar if he has to play The Stars and Stripes Forever at an upcoming Fourth of July concert and is hating life because it's his two-thousandth go 'round with the piece. Kunzel is sympathetic to the reality that such pieces are popular because they are meaningful to all kinds of listeners; these works are popular because they are loved, and you just don't go around trampling on things that people love, because it's like you're trampling on their hearts. By the time this 1812 Overture was recorded in 1978, Kunzel had already conducted this piece plenty of times. When Kunzel takes on the "1812," it always sounds fresh and new, as though it was his first time through it, except that it is assured and polished.

Tchaikovsky: "1812" Overture effectively put Telarc on the map, and it's damn right that it should have -- it's a boisterous, exciting, fun, and a still somehow artistically transparent performance, right down to the final digital cannon shot. The Capriccio Italien is a common disc mate for the "1812," but the "Cossack Dance" from Mazeppa is not. The two pieces are certainly a better choice than Beethoven's sprawling Wellington's Victory or some such, and these appetizers are played with a gusto equal to that of the main course. While some experts prefer the famous 1963 Antal Dorati recording of the "1812" and insist that none better has been, or could ever be, made, Kunzel and the Cincinnati Symphony Orchestra seem to have done the impossible here and superseded it. In any event, this really should be the first choice for people who want to add the "1812" to their collection; just make sure you keep an eye glued to your speakers so when those digital cannons go "BOOM" your audio equipment doesn't become "cannon fodder." You've been warned
专辑曲目:

01. 1812 Overture, Op. 49
Carillon – Richard Gegner
Carillon [Assistant] – Jules Bloomenthal, Robert Woods (2), Stan Ricker
Composed By – Peter Ilyich Tchaikovsky* 15:34

02. Capriccio Italien, Op. 45
Composed By – Peter Ilyich Tchaikovsky* 15:20

03. Cossack Dance From Mazeppa
Composed By – Peter Ilyich Tchaikovsky* 4:17

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