找回密码
 立即注册

手机号码,快捷登录

手机号码,快捷登录

搜索
查看: 190|回复: 0

[专辑] [分享]RR唱片 Mozart: Piano Concertos Nos. 21 & 24 24-88.2[Flac/百度]

[复制链接]

音符
0
音乐币
67402
贡献
24338

音乐大神

发表于 2020-1-19 17:14:19 | 显示全部楼层 |阅读模式



cover.JPG (142.09 KB, 下载次数: 3)

下载附件

cover
2019-7-30 20:42 上传






专辑英文名:Mozart: Piano Concertos Nos. 21 & 24
发行公司:Reference Records
类      型:Classical
指      挥:Gerard Schwarz
钢      琴:Eugene Istomin
乐      团:Seattle Symphony Orchestra
资源格式:Flac/24-88.2

Gerard Schwarz has transformed the Seattle Symphony into a superb Mozart orchestra that now rivals the Royal Philharmonic of the Beecham era. The strings are gorgeous: silky smooth, luxuriously rich, and wonderfully seductive – certainly a welcome relief from the scrawny string bands foisted upon us by the period instrument crowd. (It's strongly recommended that all authenticists have their cholesterol levels checked immediately after listening to this disc.) Meanwhile, Seattle's solo winds display astounding personality, sparkling wit, and vitality. In addition, maestro Schwarz is a seasoned and skillful Mozart interpreter. In general his (or should I say, Istomin's?) tempos are not fast, but he nonetheless invests the tuttis with a welcome spontaneity and gentle sense of humor. Indeed Schwarz's sly, conspiratorial pianissimos and asides in the finale of Concerto 21 remind me very strongly of the comical interjections of Leporello in the opera Don Giovanni.

Through it all, Istomin remains almost totally aloof from the many intrigues swirling around him in the orchestra. Dramatic outbursts and wild contrasts of mood in the piano part are downplayed. Despite the crystalline clarity of Istomin's playing – which reveals many details overlooked by others – and the shimmering sound of his instrument, I miss the poetry of Géza Anda in the slow movement of Concerto 21, the sheer bravado of Perahia in that work's outer movements, and the pyrotechnics of Czech pianist Pavel Stepan in Concerto 24. Istomin seems far more engaged and alert when playing the cadenzas, at least in Concerto 21. These cadenzas are quite unusual in that they combine the best work of several different artists, including Paul Badura-Skoda, Lillian Kallir, Claude Frank, Leopold Mannes, and the soloist himself.

Reference's recorded sound is warm and inviting – just right for this sublime orchestra. Balances are excellent. I do, however, detect a gentle "whooshing" sound between movements that is most noticeable when listening through headphones.

本是一张钢协,但是西雅图交响乐团的弦乐伴奏实在太棒了, 简直是我听过的最顺滑的弦乐,非常动听,在此推荐给各位。


曲目:
01. Concerto #21 in C, K. 467: Allegro maestosoly
02. Concerto #21 in C, K. 467: Andante
03. Concerto #21 in C, K. 467: Allegro vivace assai
04. Concerto #24 in C minor, K 491: Allegro
05. Concerto #24 in C minor, K 491: Larghetto
06. Concerto #24 in C minor, K 491: Allegretto

试听 :
https://music.apple.com/cn/album/mozart-piano-concertos-nos-21-24/995364981?l=en


下载:
https://pan.baidu.com/s/1B1WNXbR2-iOn0ZjKRASjnw

提取码:



本主题由 System 于 2019-10-30 18:00 解除限时高亮


付费主题

温馨提示

记得善用社区搜索功能,那里可能会有你想要的资源;论坛站内搜索

如果你有什么需要的资源可以去资源求档发帖,求助社区的网友,我们会在第一时间给你回复哦;资源求档

回复

使用道具 举报

您需要登录后才可以回帖 登录 | 立即注册

本版积分规则

关闭

站长推荐上一条 /1 下一条

Archiver|手机版|小黑屋|捌零 ( 反馈邮箱:admin@ptcd.net )

GMT+8, 2024-11-15 12:55 , Processed in 0.070083 second(s), 38 queries .

Powered by Discuz! X3.5

© 2001-2024 Discuz! Team.

快速回复 返回顶部 返回列表