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[原声] [TR24][OF][FM] Чудо-женщина: 1984 / Wonder Woman 1984 (by Hans Zimmer) - 2020 (Score)

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发表于 2025-11-30 16:17:45 | 显示全部楼层 |阅读模式
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Hans Zimmer - Wonder Woman 1984
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Score
Издатель (лейбл): Watertower Music
Продолжительность: 01:30:13
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com曲目
01. Themyscira
02. Games
03. 1984
04. Black Gold
05. Wish We Had More Time
06. The Stone
07. Cheetah
08. Fireworks
09. Anything You Want
10. Open Road
11. Without Armor
12. The White House
13. Already Gone
14. Radio Waves
15. Lord of Desire
16. The Beauty In What Is
17. Truth
18. Lost and Found
Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-12-17 06:59:54
--------------------------------------------------------------------------------
Analyzed: Hans Zimmer / Wonder Woman 1984 (Original Motion Picture Soundtrack)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR7       -0.49 dB    -9.60 dB      3:51 01-Themyscira
DR6       -0.49 dB   -10.03 dB      5:18 02-Games
DR7       -0.49 dB   -10.53 dB      7:04 03-1984
DR7       -0.50 dB   -11.79 dB      4:55 04-Black Gold
DR10      -0.50 dB   -15.40 dB      2:55 05-Wish We Had More Time
DR8       -0.50 dB   -13.08 dB      2:13 06-The Stone
DR7       -0.50 dB   -11.75 dB      3:13 07-Cheetah
DR8       -0.50 dB   -13.01 dB      2:39 08-Fireworks
DR7       -0.50 dB   -11.16 dB      4:46 09-Anything You Want
DR6       -0.46 dB    -8.25 dB      5:37 10-Open Road
DR8       -0.50 dB   -14.84 dB      3:46 11-Without Armor
DR6       -0.49 dB    -9.48 dB      7:45 12-The White House
DR6       -0.50 dB   -10.14 dB      5:04 13-Already Gone
DR6       -0.51 dB    -9.31 dB      8:02 14-Radio Waves
DR6       -0.51 dB    -8.82 dB      2:44 15-Lord of Desire
DR6       -0.51 dB    -9.44 dB      3:49 16-The Beauty In What Is
DR5       -0.51 dB    -9.33 dB      4:45 17-Truth
DR7       -0.50 dB   -12.46 dB     11:56 18-Lost and Found  (Bonus Track)
--------------------------------------------------------------------------------
Number of tracks:  18
Official DR value: DR7
Samplerate:        48000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1571 kbps
Codec:             FLAC
================================================================================

Об альбоме (сборнике)
From director Patty Jenkins and starring Gal Gadot in the title role, in “Wonder Woman 1984” the fate of the world is once more on the line, and only Wonder Woman can save it. This new chapter in the Wonder Woman story finds Diana Prince living quietly among mortals in the vibrant, sleek 1980s—an era of excess driven by the pursuit of having it all. Though she’s come into her full powers, she maintains a low profile, curating ancient artifacts and only performing her superheroic acts incognito. But now, Diana will have to step directly into the spotlight and muster all her wisdom, strength and courage in order to save mankind from a world of its own making.
Patty Jenkins discussed her work with Hans Zimmer, saying, “As someone I consider to be one of the most exceptional composers of all time, I was so thrilled to have Hans Zimmer return to the DC universe with me on Wonder Woman 1984. Not only did the film require the multiple themes that had to relate to the era of the 1980s, but on top of that, Diana, our Wonder Woman, was now unfolding into a much more complex character with many new subtle layers of emotion, most of which were radically different from the gorgeous original theme Hans had written for the Wonder Woman character.
“It was very important to both of us,” continued the director, “to include and celebrate that beloved battle cry of a track that has now become so beloved and synonymous with her character, but Diana also now required a much purer and more heroic theme. And Hans provided the most mind-blowing suites of themes for Wonder Woman to now use, all related to and unfolded from his original track.
“He also gave Diana and Steve a love theme for the ages. He wrote Max, Barbara, and the Dreamstone their own extremely specific theme suite of emotional tracks that all veered from almost camp lightness of the era, to dire, to the profound and emotional.
“Hans is the perfect collaborator for the score of this film. And Wonder Woman’s world of music is now filled out into a thousand shades of emotion and story. We will all be hearing the themes for many years to come.”
                                                                                       
                       
                       
                       
                       
                       
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