找回密码
 立即注册

手机号码,快捷登录

手机号码,快捷登录

搜索
查看: 393|回复: 0

[古典] Milt jackson Wes Montgomery - Bags Meets Wes[DST SACD ISO 百度云]

[复制链接]

9284

主题

1105

回帖

1万

积分

版主

音符
7242
音乐币
106726
贡献
2203

音乐大神

发表于 2020-2-2 09:26:27 | 显示全部楼层 |阅读模式
简介:
A warped vinyl copy finally prompted replacement. Though a purchase of necessity for me, the bonus tracks and judiciously remastered sound of the CD reissue make it an attractive pick-up even for an owner of a vintage LP copy.

To state that Bags makes a more satisfying complement to Wes' musical voice than to Coltrane's (which is not to say that the Jackson-Coltrane session is without its own merits) may be obvious, given their mutual love of that common ground of blues and basic, pretty melodies that, for lack of a better term, was synonymous with "soul jazz" in the late 50's/early 60's. Small wonder that even the normally unfailingly hip, often "in-a-hurry" Philly Joe can't resist providing a big back-beat to the no-holds-barred funk of the three lead soloists (once he settles in behind Wyn Kelly on "Blue Roz," you wish they'd keep it going for another couple of rounds). And listen to Wes comping behind Bags on "Sam Sack," supplying not just chords but infectious riffs.

It's fascinating to hear how this particular rhythm section meshes. Paul Chambers was the paragon of bass players, but listening to Sam Jones' gritty, more focused tone and more unforgiving pulse reminds me that he wasn't far behind the master. And whereas Paul could occasionally lose concentration, going along with the speed-up pulse of Philly Joe or the occasionally yielding one of Jimmy Cobb, Sam keeps Philly Joe in the pocket through all of the musical proceedings here.

Finally, Riverside did admirably by players like these (not to mention Bill Evans and the Adderley brothers). The drums and cymbals may not be as "forward" and the bass and piano as blatantly present as on a Blue Note-Van Gelder date. But the important sonorities have been captured, allowing for a "truer" sound from all of the principals, perhaps most notably Kelley's deft piano touch. The music stays in over-drive, not for an instant wearing out its welcome.

The fact that the bonus tracks are barely distinguishable from the masters hardly matters: more of the same is plenty good enough. (Either take is superior to all other versions--including Clifford's--of Victor Young's "Delilah.")
曲目:
1. S.K.J.
2. Stablemates
3. Stairway to the Stars (take 6)
4. Blue Roz
5. Sam Sack
6. Jingles (take 9)
7. Delilah (take 4)
8. Stairway to the Stars (take 2)
9. Jingles (take 8)
10. Delilah (take 3)

试听:


VIP用户可直接查看以下付费内容,报错点这里
付费主题


温馨提示

记得善用社区搜索功能,那里可能会有你想要的资源;论坛站内搜索

如果你有什么需要的资源可以去资源求档发帖,求助社区的网友,我们会在第一时间给你回复哦;资源求档

回复

使用道具 举报

您需要登录后才可以回帖 登录 | 立即注册

本版积分规则

关闭

站长推荐上一条 /1 下一条

Archiver|手机版|小黑屋|捌零 ( 反馈邮箱:admin@ptcd.net )

GMT+8, 2024-9-20 19:54 , Processed in 0.075610 second(s), 42 queries .

Powered by Discuz! X3.5

© 2001-2024 Discuz! Team.

快速回复 返回顶部 返回列表