找回密码
 立即注册

手机号码,快捷登录

手机号码,快捷登录

搜索
查看: 390|回复: 0

[古典] BERLINER REQUIEM AND OTHER PIECES - KURT WEILL, PAUL HINDEMITH,

[复制链接]

2万

主题

1838

回帖

3万

积分

版主

音符
210
音乐币
20463
贡献
29052

十年荣誉奖章音乐大神

发表于 2020-2-12 10:59:48 | 显示全部楼层 |阅读模式
简介:
Composer: Kurt Weill, Paul Hindemith, Igor Stravinsky, Darius Milhaund
Performer: Flemish Radio Choir
Orchestra: I Solisti del Vento
Conductor: Paul Hillier
Audio CD
Number of Discs: 1 SACD-R
Format: ISO
Bit Depth: 64(2.8 MHz/1 Bit)
Number of channels: 5.0, 2.0
Label: Glossa
Size: 3.24 GB
Recovery: +3%
Scan: yes
Server: datafile

Whatever formidable technical & interpretive challenges are posed by these vocal works they're surmounted by the Flemish Radio Choir with aplomb. A thought-provoking & revelatory programme. Enthusiastically recommended. After Jean Cocteau had issued tracts such as Le Coq et l'Arlequin (1918) & Le Rappel à l'ordre (1926), arguing against French Impressionism & German Romanticism & in favour of art for art's sake & with prominence being given to accessibility, simplicity & structural clarity, many composers responded to his clarion call.

The devastation & emotional misery caused by the 1st World War & the fear of an impending further cataclysm also struck hard at existing artistic certainties. Through their music Igor Stravinsky, Paul Hindemith, Darius Milhaud & Kurt Weill all endeavoured to make sense of this "new Europe" which they were experiencing around them & for its latest Glossa release the Flemish Radio Choir (VRK) has selected an ideal quintet of works to demonstrate these tendencies as well as highlighting the vocal talents of this leading European choral formation. Kurt Weill's 1928 secular mass for the dead, Das Berliner Requiem (along with the contemporaneous cantata Vom Tod im Wald), represents the jewel in this crown, & the VRK is accompanied by I Solisti del Vento, who also offer Stravinsky's 1923 Octet for Wind Instruments.

Both ensembles are performing here under the direction of 1 of the leading choral directors of today in Paul Hillier, who is as exacting in his interpretation of music from the 20th century onwards as he is in compositions from distinctly earlier periods.

AllMusic:

Paul Hillier regularly appears as a guest conductor with the Flemish Radio Choir, & this Glossa SACD release preserves 1 of their most auspicious collaborations, with the assistance of the wind group I Solisti del Vento. Naturally Weill's Berlin Requiem, even with the rejected "Von Tod im Wald" included, doesn't add up to a full CD, so Hillier & the Flemish have developed some well-informed choices for filler; Hindemith's brief chorus Der Tod (1932), Milhaud's Cantate de la guerre (1940), & Cantate de la Paix (1937) &, unusually, Stravinsky's famous Octet for wind instruments (1923), as performed by I Solisti del Vento.

The SACD recording is crystal clear, wide open, & very full, though in some brief passages the winds overbalance the chorus. It is a very good Berlin Requiem though, especially when compared to Phillippe Herreweghe's rather bland & faceless 1992 recording for Harmonia Mundi. One wonders, though, if they could have broken with tradition & not included "Von Tod im Wald;" although it is included in the published score for Das Berliner Requiem, Weill turned it out of the work as incompatible & this does seem to be 1 of the few genuine duds in his worklist. The brief Hindemith chorus is gorgeous & very well done; it's the best thing on this disc. A highly desirable aspect to this disc is the prospect of hearing Stravinsky's Octet for winds in SACD sound; however, I Solisti del Vento's performance is an object lesson in why one doesn't turn to choral albums in order to obtain wind works; this reading lacks snap & Stravinsky's gentle sense of syncopation in the piece, transitions are ragged, & tempo choices often well off the mark.

That leaves the Milhaud choruses, both very rarely done. Female singers take the place of the children's chorus in the Cantate de la Paix; otherwise, these are serviceable though not outstanding performances of these pieces. There is some minimal issues with the locus of pitch, which shifts around in some spots, none too surprising given Milhaud's harmonically oblique & wandering approach in these works. Glossa's Kurt Weill Das Berliner Requiem is a little below Hillier's usual standard in terms of transparency & efficiency, but the title work & the Hindemith are good enough that it makes this 1 worth owning for devotees of European modern music between the wars.

曲目:
Flemish Radio Choir, I Solisti del Vento, Paul Hillier
Berliner Requiem and other pieces

Kurt Weill - Berliner Requiem

01. I - Grosser dankchoral
02. II - Ballade
03. III - Marterl
04. IV - Erster bericht Ûber den unbekannten soldaten …
05. V - Zweiter bericht Ûber den unbekannten soldaten …
06. VI - Grosser dankchoral
07. VII - Vom Tod Im Wald

08. Paul Hindemith - Der Tod

Igor Stravinsky - Octet for Wind Instruments

09. Sinfonia
10. Tema con Variazioni
11. Finale

Darius Milhaund

12. Cantate de la Guerre
13. Cantate de la Paix

Recorded at Jezuïetenkerk, Heverlee (Belgium) on 5-7 September 2007

VIP用户可直接查看以下付费内容,报错点这里
付费主题


温馨提示

记得善用社区搜索功能,那里可能会有你想要的资源;论坛站内搜索

如果你有什么需要的资源可以去资源求档发帖,求助社区的网友,我们会在第一时间给你回复哦;资源求档

回复

使用道具 举报

您需要登录后才可以回帖 登录 | 立即注册

本版积分规则

关闭

站长推荐上一条 /1 下一条

Archiver|手机版|小黑屋|捌零 ( 反馈邮箱:admin@ptcd.net )

GMT+8, 2024-9-20 13:44 , Processed in 0.073032 second(s), 42 queries .

Powered by Discuz! X3.5

© 2001-2024 Discuz! Team.

快速回复 返回顶部 返回列表