N. Milstein – Paganiniana, Variations
F. Tárrega/R. Ricci – Recuerdos de la Alhambra
L. Berio – Sequenza VIII
N. Paganini – Duet for One Violin in C major
A. Schnittke – A Paganini
H. W. Ernst – der Erlkönig (Schubert)-Grand Caprice op.26; The last Rose of Summer (Etude no.6)
F. Kreisler – Recitativo and Scherzo-Caprice
Ning Feng (violin)
Unlike the piano, the king of instruments, only a small percentage of works has been written for solo violin. As everyone knows, a piano recital is a recital for solo piano. A violin recital, however, is usually a duet for violin and piano. Since the violin is mainly a single-melody-instrument, it is always a special challenge for the violinist to study the solo works, simply because most of them comprise both the melodic line and the accompaniment normally given to the piano…..
Although it was a tradition in classical music for centuries that performer and composer were one and the same person, this custom sadly faded in the twentieth century. But we are fortunate in having some of the greatest masters of the violin, including Kreisler, Heifetz and Milstein, who composed or arranged many pieces for their instrument. Although Kreisler composed few solo pieces except his cadenzas for a number of violin concertos, his Recitative and Scherzo-Caprice is surely one of the most popular pieces among all those famous Viennese desserts. And the Paganiniana by Milstein, so cleverly based on variations by Paganini, forms a violin master’s tribute to the all-time iconic violinist.
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发表于 2020-2-18 16:34:47
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